Category Archives: Exhibition

Paula Doepfner, ‘Out in front of a dozen dead oceans’

Exhibition in the Object Lab

At first glance, Paula Doepfner’s drawings appear abstract, like veils of mist or delicate branches. Only upon closer inspection can one discern the fine lettering that the artist has applied to delicate tracing paper. They are passages from poems by Paul Celan, but also from the Istanbul Protocol. Trauma, torture, traces, memory – all of this is condensed and interwoven, but not only present through the text references. The works are based on sketches that Paula Doepfner made as an observer during brain operations at the Charité hospital.

Located in the Object Lab of the Hermann von Helmholtz-Zentrum für Kulturtechnik on the North Campus, not far from the Charité hospital, a selection of these works will be presented in discussions designed to highlight their special impact. In addition to an afternoon devoted to the works of Paula Doepfner in conversation with the artist, another evening discussion will focus on the topics of migration, flight, expulsion and the (psychological) consequences of torture and violence. We would be delighted if you would accept our invitation.

Exhibition: 24–27 February 2026, open 12 noon–2 p.m.

Accompanying events:
23 February 2026, 4pm–6pm: Opening with introduction by the artist

26 February 2026, 6pm–8pm: TRACES OF PAIN. Art, trauma and flight. Interdisciplinary discussion evening with Paula Doepfner – artist, Berlin
Ulrike Kluge – Professor & Senior Psychologist/Group Analyst, Charité Berlin/BIM
Julia Manek – Psychologist & Human Geographer, medico international
Moderator: Pauline Endres de Oliveira – Professor of Law & Migration (HU/BIM)
In cooperation with: Christina Kuhli – Curator HU

Contact: Christina Kuhli, christina.kuhli@hu-berlin.de

 

Memory, identity, transmission: an artistic diorama at the Humboldt Forum

How does personal experience become collective knowledge? And what traces do family biographies leave on our identity?

These questions were addressed in a ten-week social workshop held as part of the Beziehungsweise Familie (Family Matters) cluster at the Humboldt Forum. As a collaborative project combining artistic, therapeutic and scientific perspectives, knowledge was not imparted as finished teaching content. Rather, it emerged as a collaborative process in which the participants were involved in a transversal production of knowledge as equal experts and active contributors. The starting point was personal memories, mementos and everyday rituals as carriers of knowledge that is often passed down through generations.

This intensive collaboration resulted in an artistic diorama and an audio work that bring mementos to life. Together, they reveal the complex interrelationships between individual trauma, transgenerational narratives and the influence of political contexts on personal life paths. At the same time, they invite us to take a fresh look at the interplay between identity and origin.

With Florian Hermes, Honorata Nawrocki, Marisol Ozomatli Malinalli, Leila G., Franziska Pierwoss, Diana Krämer, Alia Rayyan.

The result can be experienced from 24 January to 12 July 2026 in the ‘living room’ of the Humboldt Forum, the special exhibition foyer on the ground floor.

Interested parties are cordially invited to visit the exhibition and gain an insight into this special form of knowledge work.

Besuchende vor dem Diorama
© Alia Rayyan 2026

Contemporary perspectives – opening programme, 11/27/2025

Family is diverse, ever-changing, and full of surprises. Beyond traditional structures and role models, new perspectives emerge on what family can be. Several temporary exhibitions within the thematic year “In Relation: Family” explore non-normative approaches to family – both artistically and historically.

Relationships often form where there are no stable social structures or political protections. Nothing as Our Ground  is the title of the exhibition curated by Minh Duc Pham and Hai Nam Nguyen – a title that points to the realities of queer and migrant experiences. Contemporary photography, video, and installation works reveal how people live, across generations and borders, in ways that are diverse and sometimes contradictory, challenging traditional notions of family. The exhibition features works by Corç George Demir, Jaewon Kim, Su-Ran Sichling, Nhu Xuan Hua, Iden Sungyoung Kim, Sunil Gupta, Cheryl Mukherji, Vuth Lyno, Leonard Suryajaya, Sarnt Utamachote, and Rana Nazzal Hamadeh.

The exhibition Making Kin brings together artists from nine countries whose works share a decolonial perspective on marginalized forms of knowledge and relationships. We are all embedded in dynamic webs of relation – with other humans, animals, plants, spirits, the cosmos – and even with our office chairs. Making Kin is curated by Kerstin Pinther and Ute Marxreiter, Ethnological Museum / Museum of Asian Art Berlin, and features works by Catherine Blackburn, Aziza Kadyri, Mae-ling Lokko, Meryl McMaster, Caroline Monnet, Katja Novitskova, Soe Yu Nwe, Odun Orimolade, Judith Raum, Cara Romero, Zina Saro-Wiwa, and Haegue Yang.

“How deeply does the state intervene in private life?” is the question posed by the exhibition All Under Heaven. It focuses on the tension between family and state in 20th-century China and Korea – between ideology, care, and control. The exhibition is curated by Maria Sobotka, co-curated by Lu Tian, Museum of Asian Art Berlin, and presents works by He Chongyue, Mao Tongqiang, Jane Jin Kaisen, Mirae kate-hers Rhee, and Siren Eun Young Jung.

Fourteen monumental statues of Brandenburg electors from the 17th century are part of the permanent exhibition on the history of the site. However, only one half of the family was represented in this dynastic display – women were absent. The intervention Relevant to the System: Women in Ruling Families introduces four princesses from four centuries, positioning them alongside and in opposition to the sculptures. The installation sheds light on the different degrees of agency available to Hohenzollern women within the dynastic system.

Also present is filmmaker Marina Gning, whose documentary series on father-daughter relationships in Senegal has been on view on the ground floor since October.

6pm
The evening opens with a spoken word performance by AVRINA, followed by welcome remarks by Hartmut Dorgerloh, General Director of the Humboldt Forum, and Raffael Gadebusch, Head of the Museum of Asian Art. Minh Duc Pham, Hai Nam Nguyen, Kerstin Pinther, Ute Marxreiter, Maria Sobotka, Marina Gning, and Alfred Hagemann will introduce the exhibitions in brief conversations.

Following the opening on the 1st floor of the Stair Hall, curator and artist tours will take place in the respective exhibitions on the 3rd floor:

7–7:20pm
Nothing as Our Ground – Room 312
with Minh Duc Pham, Hai Nam Nguyen, Corç George Su-Ran Sichling and Cheryl Mukherji
Relevant to the System: Women in Ruling Families – Stair Hall, 3rd Floor
with Alfred Hagemann and Katja Gimpel

7:30–7:50pm
Making Kin – Room 304
with Kerstin Pinther, Ute Marxreiter, Soe Yu Nwe, Catherine Blackburn and Judith Raum
All Under Heaven – Room 319
with Maria Sobotka, Mirae kate-hers Rhee, Lu Tian

The exhibitions can be visited free of charge during the opening.
Additional events and exhibition tours will take place on November 28.

Exhibition Opening, October 10, 2025: „On Water. WasserWissen in Berlin“ at the Humboldt Lab

Water is life, but it can also destroy. The exhibition “On Water. WasserWissen in Berlin” will show current research projects of the Berlin University Alliance (BUA) on the topic of water from October 10, 2025 in the Humboldt Labor. These will be flanked by artistic positions that deal with the element of water and vividly convey its versatility.

Water is ubiquitous – We drink it, bathe in it, experience it as rain, ice, or a river. And yet it remains contradictory, as it is both familiar and at the same time unpredictable. Sometimes there is too much of it, sometimes too little. Sometimes it flows, sometimes it’s lacking, sometimes it floods entire stretches of land.
As a result of climate change, growing cities, and global inequality, water has become a challenge. It cannot be controlled easily and raises questions about established practices. Water is not a passive object, but instead a dynamic element that demands new scientific perspectives and social negotiation. The On Water: WasserWissen in Berlin exhibition presents Berlin University Alliance (BUA) research projects that deal with water from a wide range of perspectives. They all aim to learn from its properties – such as its cycles, its adaptability, and its binding force – to find solutions for the future. The audio track provides deeper insights into the interplay between humans and water. In it, scientists explain why it makes sense to listen to water, as it knows more than we think.

Context
The present is characterized by too much or too little water: cycles and systems that have long been taken for granted are shifted, irritated and vulnerable.
The disruption of the aquatic balance also challenges science. The exhibition “On Water” shows that no science alone would be able to grasp the complexity of the interrelationships associated with it. It is often the interaction of the most diverse forms of knowledge that leads to an understanding and new solutions. This includes learning from each other, whether it be hard sciences or the exchange and discussion with people who have lived through traditions and experiences and bring their own form of knowledge. One of the great challenges of the future is to establish forms of dialog and cooperation that are suitable for meeting each other at eye level.

Structure of the exhibition
The exhibition develops its argument along lifeworld motifs of encounters with water: in the sea, on the coast, in the city, in the river, in the bath and so on. On all these levels, the aim is to balance out too much and too little water. The exhibition uses exemplary research projects to bring science to life and make it tangible. Researchers from the Berlin University Alliance, for example, deal with puddles in the city, with vortices in rivers and street fountains in Berlin, with the melting of glaciers in the Alps, the bathtub as a therapeutic place or life on and in rivers. The voices of the scientists can be heard in the form of an audio track in which they talk about their fascination with their research on and with water. This makes it possible to experience the diversity and complexity of water knowledge in Berlin. But not just limited to there: the exhibition also presents selected research projects that deal with solutions to water scarcity in Egypt and Kurdistan, taking local knowledge into account. In addition, a legal initiative will be shown that deals with the question of how the Spree could be given rights. Across the many research projects, there are signs of a changeing understanding of science that takes the dynamics and inherent logic of water seriously and also recognizes the limits of knowledge. Science is beginning to adapt to water.

Berlin University Alliance

“On Water. WasserWissen in Berlin“ is an exhibition in collaboration with the Berlin University Alliance (BUA). The Berlin University Alliance is a consortium of four institutions: the Freie Universität Berlin, the Humboldt-Universität zu Berlin, the Technische Universität Berlin, and the Charité – Universitätsmedizin Berlin. Together they shape the knowledge and innovation space across disciplines and institutions, thereby strengthening the multidirectional exchange with politics, art, culture, and society.

The exhibition “On Water. WasserWissen in Berlin”, together with the program lines “On Water. Dialogues” and “On Water. Parcours,” forms a focal theme of the Berlin University Alliance. More information on the concept, events, and contact details for experts in Berlin water research can be found here.

Further information about the Humboldt Laboratory and the current exhibition can be found on the website of the Humboldt Lab

The opening program for “On Water. Water Knowledge in Berlin” can be found on the Humboldt Forum website

Detail of a drawing with lines formed from small letters

Paula Doepfner, ‘Out in front of a dozen dead oceans’

Exhibition in the Object Lab At first glance, Paula Doepfner’s drawings appear abstract, like veils of mist or delicate branches. Only upon closer inspection can one discern the fine lettering that the artist has applied to delicate tracing paper. They are passages from poems by Paul Celan, but also from

mehr →
Beleuchtetes Diorama

Memory, identity, transmission: an artistic diorama at the Humboldt Forum

How does personal experience become collective knowledge? And what traces do family biographies leave on our identity? These questions were addressed in a ten-week social workshop held as part of the Beziehungsweise Familie (Family Matters) cluster at the Humboldt Forum. As a collaborative project combining artistic, therapeutic and scientific perspectives,

mehr →

Exhibition opening: “Family Matters” at the Humboldt Forum

Father, mother, child? Surprising perspectives on the traditional family model in the past and present.

Family: (Nearly) everyone has a family, and yet every family is different! But what’s the stitching that keeps families together? And who’s really responsible for spinning it? In a year-long programme, the Humboldt Forum is exploring the stuff that family ties are made of. Are they full of holes or tightly woven; do they hang on a thread, or are they patchwork or perhaps macramé?

It is all about networks of relationships – from artistic, historical, scientific, and international perspectives, and in dialogue with the people of Berlin.

Explore what and who family and family relations can encompass, and the broad variety of ways in which living together is experienced. Everyone involved with the project at the Humboldt Forum is collectively looking at the theme of family relations in the present, past, and future, in a variety of formats including exhibitions, performances, discussions, workshops, guided tours, and interventions throughout the museum.

Exhibitions and Interventions

A special feature of this exhibition is that it takes in all the galleries and collections at the Humboldt Forum. The theme is introduced by ten hubs – some of which are interactive – in the Family Matters area on the ground floor, ranging from personal family constellations to a VR community around the table and individual stories about pet names, taking us from global family history, conflicts, and compromises to very personal watershed moments. Here you can question and expand your own ideas about and understanding of what family is!

More than forty selected objects from the Ethnologisches Museum (Ethnological Museum) and the Museum für Asiatische Kunst (Asian Art Museum), from Berlin’s historical royal palace, the Humboldt Labor, and BERLIN GLOBAL, along with Museum Knoblauchhaus, will become a part of this year-long programme, showing how power relations intervene in family biographies. And also how personal family narratives can originate larger stories of power or even religions.

Temporary exhibitions look at the preservation of endangered languages from all over the world and the transgenerational dissemination of knowledge. We also present contemporary positions by international artists, exploring the family realities of queer and migrant experience.

Events

Numerous events for adults and children offer new perspectives on the theme of family. This year’s Transkontinentale festival will bring family stories from Africa, South America, and Asia to Berlin, as well as the European premiere of the Namibian German music theatre People of Song. Things are going to get particularly lively at the end of October, when the Dia de Muertos celebration of family will be held for the second time at the Humboldt Forum. This is something to look forward to, but please note that there is also a full events programme on the opening days of the exhibition, with our first themed days in October.

Care or Chaos? Themed Days, 3–5 October

On three consecutive themed days immediately after the exhibition opens, the Humboldt Forum will focus on care, nursing, and family relations. Small gestures, each with a big effect – artistic interventions, performances, readings, and conversations will facilitate a rethinking of family: in the workshop “In the Dreamhouse,” in dance interventions in the permanent exhibition, in a kitchen buffet with medicinal flowers, and with African Street Games for the whole family. The days will feature author and musician Christiane Rösinger, the Resident Music Collective, feminist author Sophie Lewis, and a showing of the film In Prinzip Familie by director Daniel Abma, and much more.

In the museum’s workshops there will be hands-on drop-ins where participants can test out and make their own creations, while the Picture Book Cinema will present fascinating stories on the big screen, read by well-known personalities with musical accompaniment.

Two further themed days are planned for 2026: “Family Secrets” and “Together Against Resistance: Alternative Forms of Living with Each Other.”

The exhibition opens on October 2nd at 6 p.m. – free admission.

Opening program: 

6pm

Welcome:

Hartmut Dorgerloh, General Director of the Humboldt Forum
Julia von Blumenthal, President of Humboldt-Universität zu Berlin
Sophie Plagemann, Artistic Director and Board Member of the Stadtmuseum Berlin Foundation
Lars-Christian Koch, Director of the Ethnological Museum and the Museum of Asian Art, National Museums in Berlin

Greeting:

Konrad Schmidt-Werthern, Head of Office at the Federal Government Commissioner for Culture and the Media

Introductory remarks:

Laura Goldenbaum, Solvej Helweg-Ovesen, Grit Keller, Alia Rayyan, Maria Sobotka, and others

7pm
Short guided tours of the exhibition interventions

7:30pm
Discussion rounds in the foyer

8:30pm
Music set by the Resident Music Collective from their new programme Sonic Affinities

9pm
DJ set: Stella Zekri

The program and the exhibition have been jointly curated by all the stakeholders involved at the Humboldt Forum: Stiftung Humboldt Forum im Berliner Schloss (SHF), Ethnologisches Museum and Museum für Asiatische Kunst (Stiftung Preußischer Kulturbesitz / Staatliche Museen zu Berlin), Stiftung Stadtmuseum Berlin, and Humboldt-Universität zu Berlin. Overall curatorial directorship: Dr. Laura Goldenbaum (SHF).

Location: All floors of the Humboldt Forum and at the Stadtmuseum/Museum Knoblauchhaus 

Duration: Fri, October 3, 2025 – Sun, July 12, 2026

Opening hours: Mon, Wed, Thu, Fri, Sat, Sun: 10:30 a.m. – 6:30 p.m.; Tue: Closed

New ticket prices from 3 October 2025, further information under Admission & Tickets

Reduced admission applies during the themed weekend from 3 to 5 October.

Photo credit: Stiftung Humboldt Forum at the Berliner Schloss, Photo: Getty Images, The Image Bank, Karan Kapoor

IN BETWEEN I FELT IT ALL – Group Show Kleine Humboldt Galerie

06.07.2025 -13.07.2025 ZK/U (Zentrum für Kunst und Urbanistik)

Kumo Taro, Jelena Fužinato, Lisa Hoffmann, Jamila Barakat, Brennan Wojtyła, Gala Lillian, Érin Périès, Nogan Camille Chevreau Halima Aziz, Katie Kelly, Hybrid Project Space

an exhibition by Kleine Humboldt Galerie

The student-run and volunteer-based Kleine Humboldt Galerie presents a group exhibition featuring eight artistic positions, accompanied by a range of mediation formats.

In between I felt it all explores spaces and conditions of the “in between” – transitions that are difficult to grasp. As members of society, we move through private, public, and shared spaces every day. But where do those places begin that feel in between? On emotional and identity levels, too, we navigate fields of tension that create states of ambiguity. The “in between” is paradoxical and ambivalent – which is precisely why it calls for artistic engagement.

The exhibited works approach this theme in diverse, interconnected ways: as architectural fragments, as queer and/or diasporic identities, or as subtle shifts between visibility and invisibility. Through installation, photography, painting, and performance, the artists open up urban in-between spaces, question social norms, and offer personal insights.

Mediation formats build bridges between artworks and audiences. They invite participation, contextualization, and critical engagement. Questions of identity and political belonging are not just presented, but actively negotiated – creating space for reflection, new perspectives, and critical inquiry.

Vernissage: 5. July 2025, 6pm

When: 6.-13. July 2025

Where: ZK/U (Zentrum für Kunst und Urbanistik), Siemensstraße 27, 10551 Berlin

Program

July 5th: 6pm – 12am: Vernissage

July 6th: 6pm – 8pm: going through, or armstand with overback – part I 
A performance by Nogan Camille Chevreau *

July 10th: 8pm: out of frame – Between Film and Conversation x Unscharfer Filmtreff

July 12th: 12pm – 9pm: Festival Day

  • 12 – 1pm & 1 – 2pm: moving in between – Dance and movement workshop with Katie Kelly *

  • 1 – 3pm: finding words in between – Collaborative writing on queer perspectives

  • 3 – 6pm: *Halima’s Tatreez Workshop

  • 7pm: Artist Talk with Gala Lillian and Jamila Barakat

July 13th: 2pm – 9pm:

  • 2pm: Curator’s Tour

  • 4pm: spilling tea – A coffee gathering on the exhibition *

  • 7pm: going through, or armstand with overback – part II
    A performance piece by Nogan Camille Chevreau *

    Registration required via email: kleinehumboldtgalerie@hu-berlin.de 

IN BETWEEN I FELT IT ALL - Poster
IN BETWEEN I FELT IT ALL

Muddy Measures: When Wetlands and Heritage Converse

inherit. heritage in transformation 

Venue: TA T – Tieranatomisches Theater

Exhibition: March 28 – July 19, 2025. 

Events: March 29 – June 12, 2025.

Wetlands emerge where water encounters land. Activists recording endangered migratory bird sounds in mudflats, people dancing bare feet in wetlands, soil scientists sticking tools in the peat, farmers draining peatlands for agriculture, artists putting their hands in marshes.

muddy measures. when wetlands and heritage converse experiments with wetlands becoming spaces for debate and engagement inviting people with their situated knowledges, to learn from one another. It welcomes audiences to exhibitions and events, and asks: How can a heritage perspective can reshape our understanding of wetlands? Conversely, how does engaging with wetlands in transformation alter our understanding of heritage? How are wetlands measured and what counts as measurement? What and who falls out of the grid?

The muddy measures exhibition at the Tieranatomisches Theater opened on 27 March 2025 at 18:00. The exhibition features materials from the Humboldt Universit’s collection Moorarchiv, as well as the Land Prints series of Teresa Pereda, and documentations from the Saemangeum Citizen Ecological Investigation Group.

Monthly changing guest exhibitions which feature Berlin-based research projects form an integral part of muddy measures. It will include “If you take care of birds, you take care of most of the environmental problems in the world” from June 12 – July 19 by anthropologist and HZK Member Magdalena Buchczyk (Institute of European Ethnology), as well as “Swamp Things!” from March 27 – April 30 and “Latent Accumulations” May 10 – May 31, developed with project partners.

There will also be several events including the workshop “Listening to the Mallín” with the artist Teresa Pereda (29 March), the workshop “MoorFit” with the artist Daniel Hengst (25 April, Häsener Luch), the roundtable event of Latent Accumulations (9 May) and workshop by artist-researcher Alice Jarry (10 May), and the film screening of “Sura. A Love Song” by Hwang Yun (12 June, Kino Central).

Find more information and registration here: https://inherit.hu-berlin.de/events/muddy-measures-when-wetlands-and-heritage-converse

Laurentiu Constantin measuring a soil core sample in Bieselfließ
Laurentiu Constantin measures a soil sample in Bieselfließ, Germany, November 2024

Contributors: Anahí Herrera Cano (CONICET-UBA), Ayelen Fiori (Universidad Nacional de la Patagonia San Juan Bosco), Charlett Wenig (Max Planck Institute of Colloids and Interfaces), Daniel Hengst, Dongpil Oh, Heejung Jung, Seongsil Lee and Seungjun Oh (Saemangeum Citizen Ecological Investigation Group), Doohee Oh (Peace Wind), Eugenia Tomasini, Clara Tomasini and Milagros Córdova (Centro MATERIA IIAC-UNTREF), Yun Hwang, Iva Rešetar (Matters of Activity), Juana del Carmen Aigo (INIBIOMA-CONICET), Jutta Zeitz (Humboldt-Universität zu Berlin – HU), Laurentiu Constantin (HU), Léa Perraudin (Matters of Activity), Lucia Braemer (HU), Lucy Norris (Weißensee Kunsthochschule Berlin), Magdalena Buchczyk (HU), Moorarchiv (HU), Paula Vogt (University of Potsdam), Rosa Blens (HU), Saemangeum Citizen Ecological Investigation Group, and Teresa Pereda.

Curated by Yoonha Kim, Juliana Robles de la Pava, Margareta von Oswald

Project Website – TA T – Tieranatomisches Theater

Logos

Image credit top banner: Teresa Pereda Working on Land Prints Series. ©Teresa Pereda

Protecting Trees – Crafting Houses – Parrot Tree Caretakers Association meets Morgenvogel Real Estate

The TA T – Tieranatomisches Theater invites you to an evening of dialogue and presentations on the preservation of bird habitats through activism and visual art. Featuring conservationist and activist Nick Byaba (Parrot Tree Caretakers Association, Uganda) and artist duo Maria Leena Räihälä & Manuel Bonik (Morgenvogel Real Estate, Germany/Finland), the event explores the intersections of interspecies care and the shared agency of birds and humans in urban and rural environments.

Event details
Date: March 25, 2025
Time: 6–8 pm
Location: Tieranatomisches Theater, HU Berlin, Campus Nord, Philipstr. 12/13, 10115 Berlin
Language: English
Admission: Free

With
Nick Byaba (Parrot Tree Caretakers Association), Kampala, Uganda
Maria Leena Räihälä & Manuel Bonik (Morgenvogel Real Estate), Berlin

Moderator: Felix Sattler, TA T

The event is part of the exhibition Hörner/Antlfinger: Parrot Terristories (on view at TA T until March 29) by artists Ute Hörner and Mathias Antlfinger in collaboration with Nick Byaba and CMUK.

While operating in distinct contexts—Uganda’s tropical forests and European urban landscapes—both initiatives reflect a commitment to birds as valued co-inhabitants.

Morgenvogel-Haeuser-Spatzen-Kolonie-Mauerpark-Berlin-Mitte
Morgenvogel houses for a colony of sparrows, commissioned by Grün Berlin, potato hall in the extension area of Mauerpark in Berlin-Mitte, 25 February 2019 © Morgenvogel

Parrot Tree Caretakers Association (PTCA)
Founded in 2020 by Nick Byaba, the PTCA is a community-based organization dedicated to conserving grey parrots and their habitats. Through tree-planting initiatives, educational outreach, and scientific monitoring, the PTCA works with local farmers and conservationists to ensure the survival of this endangered species. Key achievements include planting over 6,000 indigenous trees, monitoring parrot flyways, and integrating rehabilitated parrots back into their original habitats.

The PTCA also runs educational programs for children, fostering a new generation of conservationists who advocate for the protection of parrots and their ecosystems. Looking ahead, the PTCA aims to establish the world’s first Grey Parrot Museum in Uganda, serving as a hub for education, research, and awareness. greyparrotmuseum-uganda.org

The exhibition Hörner/Antlfinger: Parrot Terristories includes the joint work SEEDS by Hörner/Antlfinger and Nick Byaba.

PTCA-Museum-Drawing-by-Ronald-Ajuna
Child’s draft for the Grey Parrot Museum, drawing by Ronald Ajuna. ©PTCA/Ronald Ajuna
PTCA-Rose-Kembabazi-Portrait
Rose Kembabazi, a local farmer, close to her oil palm tree, a proud member of the Parrot Tree Caretakers Association. ©PTCA

Morgenvogel Real Estate
Morgenvogel Real Estate (M0RE) is a long-term artistic initiative by Maria Leena Räihälä and Manuel Bonik, addressing the loss of nesting opportunities for urban birds in the wake of urban redevelopment. For over a decade, the Berlin-based art project Morgenvogel has engaged in ecological urban interventions by producing and distributing handcrafted birdhouses tailored for species like tits, sparrows, and pied flycatchers.

With support from conservation foundations, Morgenvogel has placed over 1,000 nesting boxes across Berlin and other European Cities, often accompanying installations with art events such as BirdChurch, Avanti Natura!, and BirdTalks.

Beyond Morgenvogel Real Estate, Maria Leena Räihälä and Manuel Bonik have been engaged in landscape restoration, most recently by their MAJAVA project (2021–2024), an initiative inspired by beavers as ecosystem engineers (Majava is the Finnish word for beaver). Through dam-building and water filtration structures, Morgenvogel seeks to counteract environmental degradation in Finnish wetland and forest areas. morgenvogel.net

Morgenvogel-Haus-Mauerpark-Starling-Darling
StarlingDarling @ Morgenvogel-House, Mauerpark, 16.05.2020. © Morgenvogel
Image credit top banner: African Grey Parrots taking a meal on oil palm trees. © PTCA

Parrot Terristories: Rethinking More-than-Human History, Conservation, Care, and Colonial Legacies

The transdisciplinary roundtable, which is part of Hörner/Antlfinger: Parrot Terristories exhibition at TA T – Tieranatomisches Theater, investigates intersections of more-than-human global history, animal agency, conservation, care, and colonial legacies. The panel examines how African grey parrots make culture in freedom—expressing complex social behaviors, cognition, and adaptability—and how captivity disrupts these processes. This commodification of parrots serves as a lens for broader histories of exploitation and the ethical challenges of conservation. The roundtable further explores the role of indigenous knowledge and practices in rethinking conservation and highlights the need to decolonize approaches that reflect interconnected human and nonhuman histories. By critiquing the colonial provenance of natural history collections, the discussion reveals how power dynamics have shaped preservation ethics and interpretation. Linking these perspectives, the roundtable envisions equitable conservation and museum practices that emphasize shared responsibilities across species and cultures.

The event will be held in English.    

Caption: Ölpalme auf Danniel Mbahurire’s Land, Uganda 2022, Foto: HörnerAntlfinger (links); A. Goering, in Carl Hennicke, Der Graupapagei in Freiheit und Gefangenschaft, 1895 (rechts)


When:

Tour of the exhibition with artists Ute Hörner and Mathias Antlfinger: December 12, 2024 at 5 p.m.

Round table: December 12, 2024, at 6  to 8.15 p.m.

Venue: TA T — Tieranatomisches Theater, Zentrum für Kulturtechnik, HU Berlin Campus Nord, Philippstraße 13/Haus 3

Roundtable Discussion at TA T – Tieranatomisches Theater

Participants

Nancy Jacobs, Brown University, Providence, is a historian and author of the book The Global Grey Parrot: The Worldwide History of a Charismatic African Animal https://www.mpiwg-berlin.mpg.de/research/projects/global-grey-parrot-worldwide-history-charismatic-african-animalhttps://www.brown.edu/news/2024-02-29/grey-parrots She is very much concerned with animals as historical actors and parrots as political, cultural, and world-making creatures. She is also interested in human efforts to improve life for parrots in captivity and to conserve the birds’ existence in their native forests.

 Katja Kaiser, Museum for Natural History Berlin, Research associate in the project “Guidelines for the handling of natural history collections from colonial contexts”. Katja Kaiser collaborated with Ute Hörner and Mathias Antlfinger on their work “One of Thirtysix” that traces the provenance of single grey parrot specimen from the museum’s collection https://www.museumfuernaturkunde.berlin/en/about/team/katja.kaiser

André Krebber, guest fellow in cultural history and theory at LeipzigLab at Leipzig University and adjunct lecturer at the University of Kassel. André’s interested in knowledge cultures and how they shape and are shaped by human-nature relations with a particular focus on the role of nonhuman animals therein to respond to the current environmental crisis. In his forthcoming book The Forgotten Animal, he proposes an aesthetic practice of animal remembrance that makes the recognition of animal self-determination the foundation for overcoming appropriating relations to nature. https://www.uni-kassel.de/fb05/fachgruppen-und-institute/geschichte/lehrgebiet/sozial-und-kulturgeschichte-human-animal-studies/dr-andre-krebber

Munyaradzi Elton Sagiya, Lecturer, Culture and Heritage Studies (CHS) at Bindura University, Zimbawe and Research Fellow at inherit. heritage in transformation at the Humboldt-Universität zu Berlin. His research interests include decolonising heritage conservation practices, African archeology, and museology.

https://inherit.hu-berlin.de/fellows/munyaradzi-elton-sagiya

Ute Hörner and Mathias Antlfinger are professors of multispecies storytelling at the Academy of Media Arts Cologne and have been living together in a multispecies household with grey parrots for over 20 years. Their installations, videos and sculptures deal with relationships between humans, animals and machines and open up critical perspectives on changeable social constructs as well as utopian visions of equal interaction. Their communal living with non-human animals is characterised by shared social actions and how these produce a shared space. In 2014, Hörner/Antlfinger founded the interspecies collective CMUK with the grey parrots Clara and Karl, who are also contributing artistic works to the current exhibition.

Felix Sattler is head and curator of the TA T – Exhibition Research Space at the Centre for Cultural Techniques, Humboldt-Universität zu Berlin. His curatorial strategy aims to foster dialogue between a variety of communities. Felix Sattler’s projects have addressed topics as diverse as the art and design history of unicellular algae, an archaeology of the multiple past, and the postcolonial controversies surrounding museums and human remains.

Contact:

Felix Sattler,  felix.sattler@culture.hu-berlin.de

Queer Sonic Fingerprint – Transdisciplinary Research – Isabel Bredenbröker and Adam Pultz

How do bodies sound? And how can a group of cultural belongings in an ethnological museum collection resonate in unexpected queer kin relations? In their interactive multichannel sound installation Queer Sonic Fingerprint, sound artist Adam Pultz and anthropologist Isabel Bredenbröker (Hermann von Helmholtz Zentrum für Kulturtechnik) speculatively imagines non-normative relations around cultural belongings in ethnological museums and beyond. The installation amplifies the collection‘s materiality through sonic fingerprints—that is—the reflections of a body’s acoustic characteristics. In a transdisciplinary encounter with sound processing and evolutionary computing, dynamically changing fingerprints bring selected parts of museum collections to life in a multichannel sonic ecology.

Queerness contains a tension, something which gender and sexuality studies scholar Susan Talburt identifies as a fundamentally productive quality. Cultural belongings in ethnographic collections are things deeply affected by the colonial encounter and its political aftermath. They, too, are caught in a tense state, as current debates about ownership, their history, their representative functions, and proper place come to show. Voices from indigenous communities and scholars have reframed so-called ethnographic “objects” in museum collections as person-like entities. The installation includes those relations that are currently being claimed with increasing insistence, alongside relations between collection items.

The playback of the sonic fingerprints will form part of a multichannel sound installation also involving field recordings and spoken narrative. Here, kinship and relations between objects become sonic relations, contributing a different register to what is traditionally a visual experience. Museum displays and collections are governed by strict rules: most things may not be touched and many things remain inaccessible in storage. In response to such restrictions, the sonic domain can provide access through a different sensory modality. Here, imagining a sonic image of these bodies offers a sensitive way of not looking or touching, not representing or claiming ownership.

Throughout the installation the sonic fingerprints will merge, recombine, and create new generations of virtual fingerprints with their own acoustic properties, evading museal categories and representational claims, just like queer identities and ways of kinning evade normative ideas of gender, relations, and sexuality. Through evolutionary computing and audience interaction, Queer Sonic Fingerprint highlights new object-relations that transcend the logic of the museum as a place of clear-cut display, education and safekeeping. A multisensory and interactive format challenges such established forms of museal practice. Through the speculative sonic-material futures that emerge, non-normative kinship and queer narratives work toward a critique of the ethnographic collection’s colonial roots.

Venue
Art Laboratory Berlin
Prinzenallee 34, 13359 Berlin

Dates and opening hours
Opening: 19 October 2024, 8 pm
Running time: 20 October – 1 December 2024
Fri – Sun, 2 – 6 pm

ALB Team
Tuçe Erel, Christian de Lutz, Regine Rapp, Alice Cannavà, Camila Flores-Fernández

Photo documentation
Isabel Bredenbröker and Adam Pultz Melbye

Supported by
Deutsche Forschungsgemeinschaft
Dansk Komponistforening/ KODA Kultur
Sound Art Lab
The Speculative Sound Synthesis Project

Queer_Sonic_Fingerprint_Transdisciplinary_Research_Poster
Exhibition poster. Copyright: Alice Cannava