Category Archives: News

Dancing Physics at Elementary School: Project Week WisTanz

A workshop week titled “WisTanz” took place from April 13–17 in collaboration with a 6th-grade class at Neues Tor Elementary School. With this project, the Center for Cultural Techniques (ZfK) is launching a partnership with the State run German-Portuguese European School, which is located in the immediate vicinity of Humboldt University’s North Campus. Other partner schools in the project are the Kolumbus Elementary School in Reinickendorf and the Albert Gutzmann School in Wedding.

The children were invited to come to the Object Lab at the ZfK for two hours each day to explore the invisible phenomena of theoretical physics through dance: How do the smallest particles move? What keeps planets in their orbits? What is relativity? Why is gravity so important? And how does it feel when “everything is connected to everything else”?

The project was developed by Berlin-based choreographer Irina Demina in collaboration with theoretical physicists Prof. Valentina Forini and Dr. Allison Pinto from Humboldt University as part of the “WisTanz at Elementary Schools” program and commissioned and supported by the Team for Knowledge Exchange with Society at the Center for Cultural Techniques.

The workshop was marked by a lively exchange: The children asked numerous questions and participated actively and with great curiosity. Many expressed great interest in learning other subjects, such as math, English, or art, through dance. Combining scientific content with creative methods allowed for a playful approach in which scientific thinking complemented artistic forms of expression while fostering body awareness and collaborative work.

The project aims to provide early access to science for everyone.

A taster for children ages 7 and up will be part of the Long Night of the Sciences program on June 6th at the Institute of Physics (3.101, 3rd floor) in Adlershof:

5:15–5:45 p.m.

6:15–6:45 p.m.

For questions about the project contact: wissensaustausch.zfk@hu-berlin.de

To find out more about Dance and Science at HU Berlin watch the Video

Irina Demina is a choreographer, artistic researcher, and educator. In 2024, she founded SCARBOD Lab—a transdisciplinary platform for body-based formats at the intersection of science and art. In 2025, she was an artist-in-residence at the ZfK (HU) and is currently working on “Science on the Dancefloor” (University of Tübingen).

Dr. Allison Pinto is a ‘sciencefluencer’, physicist, and administrative lead at the Institute of Physics (HU). In 2022, she launched the YouTube channel “Non-Standard Models” together with other members of the Research Training Group “Rethinking Quantum Field Theory.” She also shares physics and mathematics concepts on Instagram and TikTok—sometimes through dance.

Festival of Kinship – Given or Chosen?

Saturday May 1 – Sunday May 2, 2026 as part of the exhibition "Beziehungsweise Familie" (Family Matters)

We all live in relation. This reality inspires a two-day festival at the Humboldt Forum that deals with biological or chosen family, kinship, ancestry and other intimate relationship constellations in which most of us are involved. You can look forward to a festival of togetherness and participation with concerts, dynamic dance performances, friendly chatbots, readings, games and curatorial insights in the special exhibitions on Family Matters.

With: Kim de l’Horizon, Lilibeth Cuenca Rasmussen, Black Dads Germany, Suli Puschban, Li Binyuan, Ernest and Theo Thiesmeier, Raymond Liew Jin Pin and many more.

Performances and Interaction

On May 1, we explore the feeling of “oneness,” including through a performance by the artist duo Mwangi Hutter. Oneness celebrates people who have found connection despite their very different backgrounds.

In The Mitochondrial Eve, Lilibeth Cuenca Rasmussen reflects on the shifting, multifaceted role of motherhood.

How do we build intimacy? In Raymond Liew Jin Pin’s When Two Flowers Meet, dancing ribbons form brief and delicate connections.

Curious visitors can “befriend” a chatbot in the interactive installation be mAI friend.

Kristy Nataraja’s animated dance Transpersonal leads into the Africa and Oceania collections of the Ethnological Museum.

In the foyer, Li Binyuan’s performance Plaza invites everyone to recognize a familiar person using nothing but their voice.

In Conversation

Theo and Ernest Thiesmeier present their new film Familie sein. The premiere is accompanied by a conversation with Theo Thiesmeier’s entire patchwork family.

German Book Prize winner Kim de l’Horizon delivers a lecture-performance on terrestrial kinship – drawing on their Blutbuch (2022). My Migrant Mama invite you to tea, intergenerational conversation and nail polish.

Preparing food for someone is a form of communication – join the conversation in the Cooking Box by the duo groundtable.

Children’s Programme

On May 1, there will be a concert featuring the witty musician Suli Puschban.

In the Living Room, new books by Black Dads Germany from the recent Book-A-Thon in the Humboldt Forum will be read.

Everyone is invited to take part in the interactive, multigenerational guided tour of the exhibition Family Matters to discover what family means to them.

With African Street Games, the Humboldt Forum transforms into a lively playground.

The programme is complemented by Korean-German Story Theatre.

Festival of Kinship – Given or Chosen: 

Sat, 01.05.2026, 10:30–18:30 
Sun, 02.05.2026, 10:30–18:30 

See here for more information on Festival of Kinship – Given or Chosen?

Photo: Thementage III “Schicksal oder Wahl?”
© Stiftung Humboldt Forum im Berliner Schloss / iStockphoto / Goodboy Picture Company

Object of the Month: Dressed to impress – Frederick II by Moritz Götze

Object of the Month 04/2026

First for adults, then children’s toys

In his typical pop art style, Halle-based painter Moritz Götze (* 1964) refers in his collage to the so-called cut-out sheets or jumping jacks and dress-up figures that were popular since the 18th century and especially in the 19th century, in the beginning as a pastime for adults and later mainly for children. Jumping jacks appeared in Paris in the mid-18th century and were initially enjoyed by aristocratic adults. The individual parts (head, body, arms and legs, as well as attributes) were printed on a sheet, cut out and assembled. The repertoire included various professions and social classes, peoples from all over the world, Commedia dell’arte characters and animals. Soldiers and military figures were also a focus of this art form, which was characterised by its flatness and emphasised typification. Well-known political figures, especially monarchs and high-ranking military officers, were caricatured as jumping jacks, i.e. figures of fun.

Dress-up figures, on the other hand, originate from the world of fashion and first appeared with accessories as supplements in English fashion magazines at the end of the 18th century before becoming popular toys, especially for girls.

Photo of a collage mounted on the wall showing Friedrich II and attributes associated with him.
Moritz Götze, Friedrich II picture sheet, collage/enamel, 2012, photo: Barbara Herrenkind

A picture book of life

On a larger scale and using enamel techniques, Moritz Götze presents the Prussian King Frederick II in the manner of a dress-up figure, surrounded by – or connected with simulated folding tabs – characteristic motifs. As in real life, he is faithfully accompanied by his greyhound (perhaps his dog Biche). The cannon and drum refer to the wars he waged (the Silesian Wars, the Seven Years’ War). Frederick was particularly fond of cherries and had them cultivated. The motifs of spade and potatoes follow the popular, albeit not entirely accurate, narrative according to which the Prussian king introduced the potato to Prussia as a food for the people. A bust of Voltaire is also included to refer to his correspondence with the enlightened monarch. His musical talent and his own writings are illustrated by musical notes with a feather and inkwell as well as documents. Finally, there is a tobacco tin (Frederick frequently consumed snuff) and a medallion with a portrait of a woman and an officer’s cap with the Order of the Black Eagle. Both the altered proportions and the material counteract its use as a children’s toy and play with the image of the Soldier King.

Vivid history

Götze also dealt with other personalities from German history (Martin Luther, Wilhelm I, Fürst Pückler) and created history and stories for the German Bundestag in a modern, striking visual language. The supposed heroes of history are remembered, but without pathos, using pop art and comic strip language.

Author: Christina Kuhli

 

Literature:

https://www.bundestag.de/besuche/kunst/zeitgenoessische_kuenstler/goetze-576304 [last access: 09.01.2026];
Sigrid Metken: Geschnittenes Papier. Eine Geschichte des Ausschneidens in Europa von 1500 bis heute, München 1978;
Heilige, Herrscher, Hampelmänner. Bilderbogen aus Weißenburg, Ausst.-Kat. Badisches Landesmuseum Karlsruhe/ Wissembourg, Grange aux Dîmes 1999, Stuttgart 1999;
Juliane Bardt: Kunst aus Papier. Zur Ikonographie eines plastischen Werkmaterials der zeitgenössischen Kunst (= Studien zur Kunstgeschichte, Bd. 169), Hildesheim/Zürich/New York 2006.

Workshop – Machine Visions: Images and Heritage after AI

Date: 7 May 2026, 10am–6pm
Venue: Room 307, Georgenstr. 23, 10117 Berlin 

This workshop organised by the Centre for Advanced Study inherit. heritage in transformation and the Getty Research Institute brings together heritage practitioners and researchers to discuss how the systems and tasks associated with AI are changing ideas about images in relation to heritage. We will collaboratively explore the question: how does the arrival of AI influence the ecosystem of digital and physical images and their related infrastructures, which together form a critical component of heritage? This format includes talks, discussions, and a hands-on session following the shared goal to reflect, learn, and envision future pathways of critically engaging with AI as it relates to images in heritage fields. The goals of the convening are to 1) increase technical and conceptual knowledge of AI-driven phenomena, specifically as they relate to images and to heritage and 2) raise participants’ awareness and familiarity with the key issues related to the use of AI vis-à-vis images in relation to heritage (e.g. ethical, epistemological, practical).
Cooperation partners:
Emily Pugh – Principal Research Specialist, Getty Research Institute
Sandra van Ginhoven – Head of the Getty Provenance Index, Getty Research Institute

Participation is primarily by invitation, but we also encourage interested individuals to apply. If you would like to participate, please email a short statement of interest to Yoonha Kim (yoon.ha.kim@hu-berlin.de) and Elisaveta Ernst (elisaveta.ernst@hu-berlin.de).

The workshop will be held in English and is on-site only.

The venue is wheelchair-accessible.

Further information can be found via the link to the inherit events website.

Learning and Teaching with Society: Open Events and Seminars

In the courses offered by the funding program “Learning and Teaching with Society”, instructors and students explore how learning can be shaped within and together with society, and open their courses to a wider audience.

Event Series on the Archive “The Fifth Wall – Navina Sundaram”

In collaboration with professionals from the fields of education, film and archival practice, the seminar “The Fifth Wall – Navina Sundaram. Working with a Digital and Material Archive” led by Prof. Dr. Nadja-Christina Schneider, reflects on theoretical and methodological approaches to archives. The work is based on the archive „The Fifth Wall – Navina Sundaram“, which brings together journalistic, cinematic and personal materials on topics including migration, feminism, decolonization and media criticism.

The public event series, moderated by Prof. Dr. Nadja-Christina Schneider, offers insights into the online archive, into working with selected original materials, and into discourses surrounding archives as sites of societal knowledge production:

(Please note that the events will be in German. Please register in advance at wissensaustausch.zfk@hu-berlin.de to attend.)

Archival Practice Between Online Archive and Collection: “The Fifth Wall – Navina Sundaram”

April 29, 2026, 4:00 p.m., ZfK Object Lab

Presentation and discussion with Merle Kröger, crime novelist, screenwriter, filmmaker, artist and producer. Together with Mareike Bernien and in close collaboration with Navina Sundaram, she conceived and implemented the online archive “The Fifth Wall.”

Curated Memory in the Digital Space: Concept, Approach, and Implementation of the Online Archive “The Fifth Wall – Navina Sundaram”

May 6, 2026, 4:00 p.m., ZfK Object Lab

Presentation and discussion with Mareike Bernien, artist, filmmaker, and lecturer. In her work, she focuses on the politics of memory, media archaeology and critical archiving practices. Together with Merle Kröger and in close collaboration with Navina Sundaram, she conceived and implemented the online archive “Die fünfte Wand.”

From “The Fifth Wall” to “WHO CARED.” Creating Visibility Through Digital Archives

May 20, 2026, 4:00 p.m., ZfK Object Lab

Presentation and discussion with Urmila Goel, cultural anthropologist and visiting professor of European Ethnology at Humboldt-Universität. Since the late 1990s, she has been researching migration from India to Germany. The digital archives “The Fifth Wall” and “WHO CARED” bring visibility to various migration movements from India to West Germany in the 1960s, 70s, and 80s.

Seeing, Categorizing, Thinking Ahead: Educational Work on Media Practice, History, and Counter-Public Sphere in the Navina Sundaram Archive

June 3, 2026, 4:00 PM, ZfK Object Lab

Interactive workshop with Rubaica Jaliwala, freelance editor and translator of literary, artistic, and cultural texts and books. She lives in Mumbai and Berlin. As a trainer and educational consultant, she has led workshops on intercultural learning and diversity, anti-racism, and gender on four continents.

Exploring Archives: Student Research Projects in the Context of the Navina Sundaram Archive and Beyond

June 10, 2026, 4:00 PM, ZfK Object Lab

Short presentations and discussion with HU students about completed or ongoing research projects that emerged from their engagement with the Navina Sundaram Archive.

Beyond Media Work: On the Significance of Navina Sundaram’s Documentary Films

July 1, 2026, 4:00 p.m., ZfK Object Lab

Presentation and discussion with Nadja-Christina Schneider, Professor of South Asian Societies and Cultures at Humboldt Universität. Her research and teaching focus on gender, media and the city, among other topics.

(Please note that the events will be in German. Please register in advance at wissensaustausch.zfk@hu-berlin.de to attend.)

 

“Berlin. Culture. City.” Cultural Spaces in Berlin: A Data-Based Spatial Exploration

May 29, 2026, 4:00–8:00 PM, ZfK Kurssaal

The “Berlin. Culture. City” seminar explores interdisciplinary perspectives on Berlin as a “creative” city – with its cultural and urban development policies, practices and spaces. The methodological approaches to spatial research on Berlin’s urban space tested in the seminar – ranging from qualitative methods to creative research approaches such as mapping or multisensory approaches, soundscapes or smellscapes – will be discussed in a final exhibition and a fishbowl talk.

‘Berlin. Culture. City’ – a project by HU Berlin presented by Geography students under the supervision of Prof. Dr Friederike Landau-Donnelly in cooperation with Kulturraum Berlin gGmbH.

Please send a brief registration to attend the event to wissensaustausch.zfk@hu-berlin.de.

 

Theatre Practice – Living Archive

Long Night of the Sciences

June 6, 2026, 5:00 PM–midnight (various locations)

In the course, ‘Theatre Practice: Living Archives‘, students bring objects and texts from the HU archives and collections with literary connections to life. Using exercises and methods from acting and improvisational theatre, students explore ways of expressing themselves through voice, body, gestures and facial expressions, and develop short individual and group performances. These ‘object-based performances’ will be presented as a pop-up show during the Long Night of Science!

Further details on the locations will follow.

Final Performance of the Seminar

July 10, 2026, 5:00–8:00 PM, ZfK Object Lab

Another performance of the object-based performances will take place on 10 July at the Object Lab. Please send a brief email to wissensaustausch.zfk@hu-berlin.de to let us know you’re coming.

 

“Hazardous Hope: Exploring Contaminated Berlin”

July 16, 2026, afternoon, Tempelhofer Feld

The closing event of the ‘Hazardous Hope’ course invites participants to a participatory programme in which students share insights into their explorations of contaminated Berlin. During these explorations, the students examined the material politics of ‘hazardous hope’ – a practice that experiments with new forms of coexistence in the face of permanently contaminated environments.

Further details about the event will be announced here shortly.

 

Workshop Conference: “Learning, Teaching, and Researching with Society”

June 12, 2026, 9:30 AM–7:30 PM, Centre for Cultural Techniques (ZfK)

How can we foster successful collaboration and exchange between the arts, society and science? The workshop conference organised by the ‘Knowledge Exchange with Society’ research cluster, invites participants to engage in a practice-oriented discussion of the Open Science principle. The focus will be on translation practices between different forms of knowledge and stakeholders, participatory teaching formats, and artistic-scientific collaborations on movement-based methods.

(Please note that the events will be in German. Please register in advance at wissensaustausch.zfk@hu-berlin.de to attend.)

Photo: Franziska Blume

Current lectures at the ZfK for the summer semester 2026

In the summer semester of 2026, the ZfK will once again offer a diverse range of courses: on the one hand, an interdisciplinary programme from our associate members in the fields of geography, international studies, art and visual history, Asian and African studies, European ethnology and media studies; on the other hand, courses from the two chairs of Social Anthropology (Prof. Macdonald) and Theory and Practice of Interdisciplinary Curating (Prof. Tyradellis), as well as a ‘Practical Session with Original Artworks’ organised by the Kustodie.

You can find an overview of all courses on Agnes – Teaching and Examinations Online.

Furthermore, the funding “Learning and Teaching with Society: Transdisciplinary Course Programme” supports courses in which lecturers and students explore forms of learning with society.

New: The ZfK can now be found on the HU’s central information page for the Interdisciplinary Elective Area (ÜWP). There you will find all the important information for students who wish to take ZfK modules within the ÜWP.

Learning and Teaching with Society in Summer Term 2026

As part of the “Teaching and Learning with Society: Transdisciplinary Course Program,” faculty and students explore how learning can be shaped within and in collaboration with society.

In collaboration with artists, cultural institutions, and civil society initiatives, the selected courses in the summer term 2026 incorporate societal experiences and community knowledge, including artistic archival and collection work, site-specific knowledge and anti-discrimination discourses. They explore artistic approaches to topics such as culture, health and pollution in Berlin, and utilize movement-based methods of knowledge processing in political theory and social movements.

 

1. “The Fifth Wall – Navina Sundaram. Working with a digital and physical archive”

Prof. Dr. Nadja-Christina Schneider (Institute for Asian and African Studies)

The seminar combines work with the online archive “Die Fünfte Wand – Navina Sundaram” (The Fifth Wall – Navina Sundaram), that compiles journalistic, cinematic and personal materials on migration, feminism, decolonization and media criticism and practical engagement with original materials in the object lab at ZfK. The students will reflect archives as places of societal knowledge production.  Cooperating with experts from the fields of education, artistic film and archival practices, the course incorporates non-academic perspectives and offers six public events.

 

2. Theater in Practice: Living Archives

Dr. Constanze Baum (Institute fpr German Literature)

As “Living Archives,” objects, texts and their histories from HU archives and literature-related collections will be brought to life in this course at the Theaterhaus Mitte and in the Object Lab at the ZfK. Using exercises and methods from performing arts and impro theater, students will explore ways to express themselves through voice, body, gestures, and facial expressions, and develop short individual and group scenes. Research, development and documentation of such “object staging,” as well as a pop-up performance of selected scenes during the Long Night of Science are part of the course.

 

3. Taking a stand as a teacher? Dealing with anti-democratic tendencies and extremism in schools and classrooms

Dr. Julia Frohn (Professional School of Education, PSE)

In collaboration with the association “Aufstehen gegen Rassismus” (Stand Up Against Racism), the seminar addresses the role of teachers in dealing with anti-democratic tendencies and extremism. It reflects on what it means for teachers to “take a stand” and what scope for action teachers have in schools and classrooms. The accompanying exercise examines political mobilisation on TikTok with a focus on memes as carriers of extremist content. Students analyse their potential impact and develop own democracy-promoting memes for democracy and media education.

 

4. Critical Film Education – between School, Cinema, and Society

Charlotte Wiesner (Institute for Education Sciences)

In this film education seminar for prospective elementary school teachers, students engage in an open exchange with practitioners from society to consider how film education that is critical of discrimination can be designed for the classroom. The seminar takes a research-based and participatory approach and involves practitioners from the BIPOC community and from the film and cinema landscape (e.g., film libraries, Vision Kino – Network for Film and Media Competence, cinemas, filmmakers).

 

5. Berlin.Culture.City.

Prof. Dr. Friederike Landau-Donnelly ( Geography Department, Cultural and Social Geography)

The aim of the seminar “Berlin.Kultur.Stadt.” is to convey interdisciplinary perspectives on the ‘creative’ city of Berlin. Via student-generated mappings of various cultural spaces, districts, and infrastructures in Berlin and in cooperation with civil society partner Kulturraum gGmbH, that launched the “Kulturkataster” (cultural register), students explore Berlin’s cultural and urban development-related policies that shape it as city of culture. As part of a final exhibition and transdisciplinary knowledge transfer, students provide insights into the spatial geographic exploration of cultural sites.

 

6. Health and Art Narratives in Berlin. Institutions, collective practices and artistic approaches

Maria Morata (Berlin Perspectives)

How do contemporary artistic practices approach and challenge the binary of health and illness? Framed within Disability Studies and Crip Theory, the course explores artistic experiences of illness and vulnerability as platforms for social transformation and as emancipatory tools for navigating a normative and ableist world. Featuring Berlin-based artists and collectives, curators and scholars, the course also includes visits to the Berlin Museum of Medical History and the Tieranatomisches Theater at Humboldt-Universität.

„Embodied Futures. Knowledge and Movement“

As part of the new Public Engagement Hub at ZfK “Embodied Futures: Knowledge and Movement,” support is provided for courses that explore creative movement approaches as research method, teaching tool and format for outreach, and understand academic, artistic and practice-based research as a participatory form of knowledge production.

7. Hazardous Hope. Explorations through contaminated Berlin

Dr. Léa Perraudin (Department of Cultural and Media Studies,  Exzellenzcluster Matters of Activity)

“Hazardous hope” – as Ayushi Dhawan and Simone M. Müller (2024) term a practice that, amid permanently contaminated environments, experiments with new forms of cohabitation rather than hoping for purity or redemption. We undertake explorations through contaminated Berlin to engage its material politics via embodied and speculative methods, in dialogue with civil society actors, community initiatives, and artists.

 

8. Social Media and Social Movements

Prof. Dr. Shintaro Miyazaki (Department of Cultural and Media Studies)

Social media not only inform about global political and social developments but also significantly shape the everyday lives of many citizens and contribute to polarization. From a media studies perspective, the course examines how these dynamics emerge and what role social media might play in fostering sustainable social movements. Together with choreographer Irina Demina, an experimental approach will be explored that extends role-playing activities (Resnick & Wilensky) through choreographic and embodied methods in order to investigate social dynamics and processes of polarization through experience.

 

9. Body, Gender, Public Sphere: An Introduction to Iris Marion Young’s Feminist Political Theory

Dr. Jeanette Ehrmann (Department of Social Sciences)

In this seminar, we explore Iris Marion Young’s feminist political theory through her essays on female body experience. We examine how inequality and oppression shape embodied experience and connect these insights with intersectional perspectives on ableism, classism, and racism as well as on trans* and non-binary gender identities. The seminar is organized in collaboration with an artist within the hub “Embodied Futures: Knowledge and Movement” and integrates embodied knowledge, movement, and theoretical reflection.

 

Lecture series “Beziehungsweise Familie” (Family Matters) – March 18, 2026 with Dr. Lotte Warnsholdt

Cultural practices of silence as modes of care

Dr. Lotte Warnsholdt

The lecture draws on 20th-century literature to examine various cultural techniques of silence and analyzes them with regard to their forms of (self-)care. Self-determined, sovereign silence preserves secrets and provides protected spaces for the development of new attitudes. However, not every silence is self-determined, not every silence sovereign. Alongside sovereign silence, there are forms of silence that signify self-denial or a breakdown of communication. For example, the author Audre Lorde writes of the desire to see one’s own fear in proper proportion and to be able to translate silence into language. Lorde does not speak of a life without fear, but rather of a relationship to fear that depends on the ways in which one practices silence. It would mean not allowing silence to turn into tyranny or catastrophe, but instead finding a measure between speaking and remaining silent—one in which silence can also function as a “mode of resistance to power” (Wendy Brown, 2005).

The lecture will be held in German.

Participation is possible without pre-registration and is open to all interested parties.

Organiser:

Prof Dr Daniel Tyradellis (Humboldt-Universität zu Berlin)

Dr Alia Rayyan (Humboldt-Universität zu Berlin)

Dr Laura Goldenbaum (Humboldt Forum Foundation in the Berlin Palace)

Place and time:

18. March 2026,

6 to 8 pm

in Room 3 (Saal 3), ground floor,
Humboldt Forum, Schlossplatz.

Further information

Lotte Warnsholdt
Lotte Warnsholdt, © Paul Schimweg

Lotte Warnsholdt is a cultural and media scholar in Hamburg. She studied European Ethnology in Copenhagen as well as Philosophy and Law in Hamburg. She completed both her master’s degree and her PhD in Cultural and Media Studies at Leuphana University Lüneburg. She works at Museum am Rothenbaum, World Cultures and Arts, she is, among other roles, co-curator of the temporary exhibition CATS! (2025–2026).

Her research focuses on forms and practices of care within institutions of knowledge. She publishes on the materiality and violence of archives, understood both in situ and in digital contexts. Her book Im Schatten des Schweigens (transcript 2024) explores the role of silence and secrecy in shaping social and historical processes.

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Object of the Month: Searching for clues – The Berlin engravings

Object of the Month 03/2026

A particularly large part of the art collection comprises views of Berlin and depictions of the university buildings at different times. The oldest vedute of Berlin date from the end of the 17th century, with Johann Stridbeck the Younger’s drawings Die Stadt Berlin im Jahre 1690, but most of them originate from the 18th century – it was not until the unification of Berlin and Cölln to form the Residenzstadt in 1709 that the city acquired its splendid appearance in the course of the century with many representative buildings, which now attracted interest in many travel reports, letters and literary as well as pictorial representations at home and abroad. The veduta, stage and decorative painter Johann Georg Rosenberg (1738-1808), active in Paris and at various German courts, took advantage of this boom. Between 1773 and 1785, he created a series of 21 etchings of stage-like prospectuses of Berlin streets, palaces, churches and squares. 20 hand-coloured etchings (plus title page) in folio format were published in 1786 by Johann Marino & Co. under the title Receuil des Prospects les plus beaux et les plus intéressants de Berlin. The great success of this publication led to various further versions, which differ greatly in size, print quality and colouring. The Kupferstichkabinett (Museum of Prints and Drawings) of the National Museums in Berlin owns particularly high-quality sheets. These were reproduced in a facsimile edition in 1995, together with a detailed contemporary description of the structural, cultural, social and economic conditions of Berlin by Friedrich Nicolai, a Berlin writer and publisher (Beschreibung der Königlichen Residenzstädte Berlin und Potsdam, aller daselbst befindlichen Merkwürdigkeiten und der umliegenden Gegend, Berlin 1786).

Of the twenty sheets of these reproductions that are in the art collection, two are singled out here that show, among other things, the Palace of Prince Heinrich (the later main building of the university) and the Royal Library (the “Kommode”).

Prince Heinrich’s Palace is shown in the illustration on sheet II (1780) as the second building on the right behind the armoury at the beginning of the boulevard Unter den Linden.

Reproduction of an old etching from the 18th century showing buildings on Unter den Linden boulevard
Unter den Linden with Armoury, Prince Henry's Palace and Opera House, 1780

It is clearly visible through the two wings around the forecourt. Opposite, you can see the Opera House and what is now called the Old Palace (Altes Palais) – at the time of the depiction, this building was occupied by Luise Amalie of Brunswick-Wolfenbüttel (1722-1780), the widow of Prince August Wilhelm of Prussia, the eldest brother of the reigning King Frederick II. That he had already intervened in the urban topography with the architectural restructuring in favour of the Forum Fridericianum is, however, only indirectly clear: the Royal Library attached to the palace, which on sheet XI (1782) prominently closes off the view of the square to the right, the garden and rear building fell victim.

Reproduction of an old etching from the 18th century showing Berlin's Opernplatz and other buildings
The Opera Square with the Royal Library and St Hedwig's Catholic Church, 1782

Since Rosenberg dedicated the print to Frederick II, the building at the corner of Unter den Linden is cut and the ensemble around the library, opera house and Hedwigskirche church is staged with its impression of a forum.

With their accuracy in rendering architectural details and topographical layouts, Rosenberg’s etchings not only document historical Berlin at the end of the 18th century, but also allow a comparative view of buildings that we can still admire today, at least in part, despite the destruction of the Second World War.

Author: Christina Kuhli

Visit from Lund University to the Zentrum für Kulturtechnik and the Humboldt Lab

On Friday, 13 February 2026, the Zentrum für Kulturtechnik welcomed colleagues from Lund University to the Gerlach-Bau and the Humboldt Lab. Following a brief orientation on campus, the programme commenced at 9:15 a.m. with a working session in the Objekt-Labor.

Collections in Research, Teaching, and Societal Engagement

The discussions focused on university collections, addressing their administration, institutional coordination, and especially their integration into teaching. Sarah Elena Link introduced the Coordination Centre for Scientific University Collections, Nina El Laban Devauton and Martin Stricker presented the project Teaching with Objects, and Oliver Zauzig outlined his role as Central Collections Coordinator at HU.

The Lund delegation provided insights into current developments at their university, particularly concerning research, teaching, and societal engagement in relation to collections. The exchange revealed numerous parallels alongside structural differences. It also became evident that the German model—characterised by a central coordination office and an extensive collections network—represents a widely recognised framework that has attracted considerable international interest.

Networking and Institutional Exchange

Given the strong interest in the Berlin University Alliance and the Berlin collections network, participants visited the anatomical collection of the Charité prior to lunch; it is currently the only publicly accessible collection on Campus Nord.

In the afternoon, the group toured the exhibition On Water. WasserWissen in Berlin at the Humboldt Lab. The visit was guided by Anna-Lisa Dieter and followed by a concluding discussion in the seminar room, joined by Sharon Macdonald. The guests expressed particular interest in the institutional possibilities opened up by the Humboldt Lab.

Perspectives for Continued Collaboration

The visit underscored that HU’s collections and exhibition platforms function as important reference points within the field, while also highlighting the necessity of sustainable resources to support their continued development. The intensive discussions provided valuable impulses for all participants, and both institutions agreed to continue the exchange, recognising the mutual benefits of strengthening a European network.

Participants from Lund University:
Sara Virkelyst (Central Contact for Museums and Archives), Charlotta Sokulski Bateld (Coordinator, Cultural Forum for Art and Science), Louice Cardell Hepp (Communications Officer, Cultural Forum), Frida Stenmark (Museum Coordinator, Museum for Artistic Processes and Public Art), and Anki Wallengren (Pro Vice-Chancellor for Culture and Educational Development).

From the Zentrum für Kulturtechnik:
Sarah Elena Link, Nina El Laban Devauton, Martin Stricker, Anna-Lisa Dieter, Sharon Macdonald, and Oliver Zauzig.

Special thanks to Xenia Muth and Eileen Klingner for their support.