Category Archives: Projects

New release: ‘Mutter Museum’ by Werner Hamacher

Werner Hamacher’s book, edited by Daniel Tyradellis, has just been published: ‘Mutter Museum’ (english: Mother Museum).

‘One can only ever talk about the museum on the threshold of it.’

Werner Hamacher’s lecture ‘Exhibitions of the Mother. A Walk Through Various Museums’ is a key text for understanding the museum as a Western institution: It becomes legible as a place of materialised mourning for the loss of a reference that never existed. Virtually uncommented upon in Germany after its publication in 1995, the text met with both approval and criticism in France from Philippe Lacoue-Labarthe and Jacques Derrida. Hamacher then planned an expanded edition that responds to this criticism and goes far beyond it. In particular, his examination of Raphael’s ‘Sistine Madonna’ and Artaud’s ‘La Maladresse sexuelle de dieu’ points the way to an irreational marking that lends a novel and fundamental power to the unreservedness of the work and the museum in their interplay.

Available to order from your trusted bookshop or directly from diaphanes.

Softcover, 256 pages, diaphanes Verlag, Zurich 2025, €35.

Titelbild Mutter Museum
Rückseite Buch Mutter Museum

Contemporary perspectives – opening programme, 11/27/2025

Family is diverse, ever-changing, and full of surprises. Beyond traditional structures and role models, new perspectives emerge on what family can be. Several temporary exhibitions within the thematic year “In Relation: Family” explore non-normative approaches to family – both artistically and historically.

Relationships often form where there are no stable social structures or political protections. Nothing as Our Ground  is the title of the exhibition curated by Minh Duc Pham and Hai Nam Nguyen – a title that points to the realities of queer and migrant experiences. Contemporary photography, video, and installation works reveal how people live, across generations and borders, in ways that are diverse and sometimes contradictory, challenging traditional notions of family. The exhibition features works by Corç George Demir, Jaewon Kim, Su-Ran Sichling, Nhu Xuan Hua, Iden Sungyoung Kim, Sunil Gupta, Cheryl Mukherji, Vuth Lyno, Leonard Suryajaya, Sarnt Utamachote, and Rana Nazzal Hamadeh.

The exhibition Making Kin brings together artists from nine countries whose works share a decolonial perspective on marginalized forms of knowledge and relationships. We are all embedded in dynamic webs of relation – with other humans, animals, plants, spirits, the cosmos – and even with our office chairs. Making Kin is curated by Kerstin Pinther and Ute Marxreiter, Ethnological Museum / Museum of Asian Art Berlin, and features works by Catherine Blackburn, Aziza Kadyri, Mae-ling Lokko, Meryl McMaster, Caroline Monnet, Katja Novitskova, Soe Yu Nwe, Odun Orimolade, Judith Raum, Cara Romero, Zina Saro-Wiwa, and Haegue Yang.

“How deeply does the state intervene in private life?” is the question posed by the exhibition All Under Heaven. It focuses on the tension between family and state in 20th-century China and Korea – between ideology, care, and control. The exhibition is curated by Maria Sobotka, co-curated by Lu Tian, Museum of Asian Art Berlin, and presents works by He Chongyue, Mao Tongqiang, Jane Jin Kaisen, Mirae kate-hers Rhee, and Siren Eun Young Jung.

Fourteen monumental statues of Brandenburg electors from the 17th century are part of the permanent exhibition on the history of the site. However, only one half of the family was represented in this dynastic display – women were absent. The intervention Relevant to the System: Women in Ruling Families introduces four princesses from four centuries, positioning them alongside and in opposition to the sculptures. The installation sheds light on the different degrees of agency available to Hohenzollern women within the dynastic system.

Also present is filmmaker Marina Gning, whose documentary series on father-daughter relationships in Senegal has been on view on the ground floor since October.

6pm
The evening opens with a spoken word performance by AVRINA, followed by welcome remarks by Hartmut Dorgerloh, General Director of the Humboldt Forum, and Raffael Gadebusch, Head of the Museum of Asian Art. Minh Duc Pham, Hai Nam Nguyen, Kerstin Pinther, Ute Marxreiter, Maria Sobotka, Marina Gning, and Alfred Hagemann will introduce the exhibitions in brief conversations.

Following the opening on the 1st floor of the Stair Hall, curator and artist tours will take place in the respective exhibitions on the 3rd floor:

7–7:20pm
Nothing as Our Ground – Room 312
with Minh Duc Pham, Hai Nam Nguyen, Corç George Su-Ran Sichling and Cheryl Mukherji
Relevant to the System: Women in Ruling Families – Stair Hall, 3rd Floor
with Alfred Hagemann and Katja Gimpel

7:30–7:50pm
Making Kin – Room 304
with Kerstin Pinther, Ute Marxreiter, Soe Yu Nwe, Catherine Blackburn and Judith Raum
All Under Heaven – Room 319
with Maria Sobotka, Mirae kate-hers Rhee, Lu Tian

The exhibitions can be visited free of charge during the opening.
Additional events and exhibition tours will take place on November 28.

Publicity & Censorship

Zur materiellen Kultur von Bild- und Sprechverboten

In den öffentlichen Debatten um Gewaltdarstellungen, Nacktheit, Hassrede oder Klimakleber werden derzeit Zensurvorwürfe immer lauter: Soziale Medien wie Meta oder TikTok regulierten jahrelang massiv ihre Inhalte, was Effekte von Zensur für die Netzgemeinschaft mit sich brachte. Jüngst reduzierten digitale Plattformen (z.B. X) jedoch in einer geradezu gegenteiligen Logik ihre Content Moderation, um das Recht auf freie Meinungsäußerung in einer polarisierten Debattenkultur zu instrumentalisieren und europarechtliche Regulierungen, wie den Digital Services Act, als Zensurinstrumente zu diskreditieren. 

Auch im Bereich der kuratorischen Praxis, der Aktivität von Journalist:innen oder Künstler:innen werden Praktiken des Bild- und Redeverbots seit längerem diskutiert (Bsp. Balthus), welche die Begriffe von Zensur und Regulation in der Öffentlichkeit neu sortieren. Die Eindämmung des Sag- oder Zeigbaren kann hier auf zwei Arten auftreten: Zum einen als Zensur, welche die Praktizierenden (z.B. Künstler:innen/Sprecher:innen/Kurator:innen) selbst vornehmen; sei es bewusst als künstlerisches Mittel, um bestimmte Fokussierungen oder Aussagen zu untermauern; sei es als Schutzmechanismus, um bestimmten Zensurvorgaben oder -mechanismen zu entsprechen. Zum anderen können Bild- und Redeverbote Ausdruck einer Exekutive sein, die Zensur ausübt, und damit direkt die Meinungs- und Berufsfreiheit einschränkt. 

Die praxisorientierte Übung wird sowohl einen historisch-systematischen Blick auf die Begriffe von Öffentlichkeit und Zensur werfen, als auch auf die spezifisch materiellen Praktiken ihrer kontextabhängigen Umsetzung: Blurring-Effekte, schwarze Balken, Überblendungen und Übermalungen reichen tief in die Debattengeschichte von Inhaltsregulierung hinein und bilden gleichzeitig eine Kultur von Löschvorgängen und Schwärzungen aus, die uns tagtäglich begleitet und sich stetig transformiert. Der Kunstraum nimmt hinsichtlich des Umgangs, der Rahmensetzung oder Ausweitung des Sag- und Zeigbaren eine Sonderstellung ein: er kann als Experimentierfeld verstanden werden, durch das Praktiken der Zensur umgangen, erweitert, überschrieben oder auch eingefordert werden. 

Die Übung wird von Katja Müller-Helle (Forschungsstelle Das Technische Bild, Institut für Kunst- und Bildgeschichte) und Alia Rayyan (Lehrbereich Theorie und Praxis des Kuratierens, Institut für Kulturtechnik) angeboten und findet an vier Blockterminen im Objektlabor des ZfK statt.

Dozentinnen: 

Dr. Katja Müller-Helle (Forschungsstelle Das Technische Bild, Institut für Kunst- und Bildgeschichte) 

Dr. Alia Rayyan (Lehrbereich Theorie und Praxis des Kuratierens, Institut für Kulturtechnik)

Veranstaltungsnummer: 533648

Veranstaltungsort: Hermann von Helmholtz-Zentrum für Kulturtechnik (HZK), Campus Nord – Haus 3, Philippstr. 13, 10115 Berlin

Fake Space!

FAKE SPACE: Making space visible! Kick-off event on July 3rd

On July 3rd, our first FAKE SPACE event kicked off at HU Campus North – a series of studies and interventions that address inclusion and how to deal with discrimination in everyday work and study life.

The initiative emerged from a seminar on public space in the winter semester 2023/24. Over several weeks, we discussed concepts of public space, consensus spaces, counter-publics and safe spaces. In the summer semester, we attempted to translate these theoretical approaches into practice.
Our intensive examination of our own experiences in dealing with diversity ultimately gave rise to FAKE SPACE – a deliberate reversal of the safe space concept.

With FAKE SPACE, we activate and make counterpublic spaces visible. Instead of retreating, we want to create visibility: experiences of discrimination should not remain in protected niches, but should be brought into the public eye.
We do not understand public space as a closed safe space, but as an open space for discussion where encounters, friction and exchange are possible. The question is how regulations can actually be implemented – and how an equal dialogue can be created in which listeners become speakers and speakers become listeners.

In recent years, terms such as accessibility have become firmly established in the discourse on public

Memorial for the March fallen

To kick off the Democracy Weekend celebrations, a temporary memorial to those who fell during the March Revolution of 1848 was unveiled on 16 March 2023 at the historic site of Schlossplatz in front of the Humboldt Forum.

Based on a concept by Prof. Dr. Daniel Tyradellis from the Helmholtz Centre for Cultural Technology, the anamorphic mirror column was realised in collaboration with the association ‘Friedhof der Märzgefallenen’ (Cemetery of the Fallen of March), students from the HU, pupils from the Anna Essinger Community School and the artist collective SELFMADECREW. The monument highlights both the role of monuments in public spaces and the systematic question of the connection between freedom and violence.

Created at the Humboldt Forum Endowed Chair for the Theory and Practice of Interdisciplinary Curating, funded by the Federal Government Commissioner for Culture and the Media.

Exhibition opening: “Family Matters” at the Humboldt Forum

Father, mother, child? Surprising perspectives on the traditional family model in the past and present.

Family: (Nearly) everyone has a family, and yet every family is different! But what’s the stitching that keeps families together? And who’s really responsible for spinning it? In a year-long programme, the Humboldt Forum is exploring the stuff that family ties are made of. Are they full of holes or tightly woven; do they hang on a thread, or are they patchwork or perhaps macramé?

It is all about networks of relationships – from artistic, historical, scientific, and international perspectives, and in dialogue with the people of Berlin.

Explore what and who family and family relations can encompass, and the broad variety of ways in which living together is experienced. Everyone involved with the project at the Humboldt Forum is collectively looking at the theme of family relations in the present, past, and future, in a variety of formats including exhibitions, performances, discussions, workshops, guided tours, and interventions throughout the museum.

Exhibitions and Interventions

A special feature of this exhibition is that it takes in all the galleries and collections at the Humboldt Forum. The theme is introduced by ten hubs – some of which are interactive – in the Family Matters area on the ground floor, ranging from personal family constellations to a VR community around the table and individual stories about pet names, taking us from global family history, conflicts, and compromises to very personal watershed moments. Here you can question and expand your own ideas about and understanding of what family is!

More than forty selected objects from the Ethnologisches Museum (Ethnological Museum) and the Museum für Asiatische Kunst (Asian Art Museum), from Berlin’s historical royal palace, the Humboldt Labor, and BERLIN GLOBAL, along with Museum Knoblauchhaus, will become a part of this year-long programme, showing how power relations intervene in family biographies. And also how personal family narratives can originate larger stories of power or even religions.

Temporary exhibitions look at the preservation of endangered languages from all over the world and the transgenerational dissemination of knowledge. We also present contemporary positions by international artists, exploring the family realities of queer and migrant experience.

Events

Numerous events for adults and children offer new perspectives on the theme of family. This year’s Transkontinentale festival will bring family stories from Africa, South America, and Asia to Berlin, as well as the European premiere of the Namibian German music theatre People of Song. Things are going to get particularly lively at the end of October, when the Dia de Muertos celebration of family will be held for the second time at the Humboldt Forum. This is something to look forward to, but please note that there is also a full events programme on the opening days of the exhibition, with our first themed days in October.

Care or Chaos? Themed Days, 3–5 October

On three consecutive themed days immediately after the exhibition opens, the Humboldt Forum will focus on care, nursing, and family relations. Small gestures, each with a big effect – artistic interventions, performances, readings, and conversations will facilitate a rethinking of family: in the workshop “In the Dreamhouse,” in dance interventions in the permanent exhibition, in a kitchen buffet with medicinal flowers, and with African Street Games for the whole family. The days will feature author and musician Christiane Rösinger, the Resident Music Collective, feminist author Sophie Lewis, and a showing of the film In Prinzip Familie by director Daniel Abma, and much more.

In the museum’s workshops there will be hands-on drop-ins where participants can test out and make their own creations, while the Picture Book Cinema will present fascinating stories on the big screen, read by well-known personalities with musical accompaniment.

Two further themed days are planned for 2026: “Family Secrets” and “Together Against Resistance: Alternative Forms of Living with Each Other.”

The exhibition opens on October 2nd at 6 p.m. – free admission.

Opening program: 

6pm

Welcome:

Hartmut Dorgerloh, General Director of the Humboldt Forum
Julia von Blumenthal, President of Humboldt-Universität zu Berlin
Sophie Plagemann, Artistic Director and Board Member of the Stadtmuseum Berlin Foundation
Lars-Christian Koch, Director of the Ethnological Museum and the Museum of Asian Art, National Museums in Berlin

Greeting:

Konrad Schmidt-Werthern, Head of Office at the Federal Government Commissioner for Culture and the Media

Introductory remarks:

Laura Goldenbaum, Solvej Helweg-Ovesen, Grit Keller, Alia Rayyan, Maria Sobotka, and others

7pm
Short guided tours of the exhibition interventions

7:30pm
Discussion rounds in the foyer

8:30pm
Music set by the Resident Music Collective from their new programme Sonic Affinities

9pm
DJ set: Stella Zekri

The program and the exhibition have been jointly curated by all the stakeholders involved at the Humboldt Forum: Stiftung Humboldt Forum im Berliner Schloss (SHF), Ethnologisches Museum and Museum für Asiatische Kunst (Stiftung Preußischer Kulturbesitz / Staatliche Museen zu Berlin), Stiftung Stadtmuseum Berlin, and Humboldt-Universität zu Berlin. Overall curatorial directorship: Dr. Laura Goldenbaum (SHF).

Location: All floors of the Humboldt Forum and at the Stadtmuseum/Museum Knoblauchhaus 

Duration: Fri, October 3, 2025 – Sun, July 12, 2026

Opening hours: Mon, Wed, Thu, Fri, Sat, Sun: 10:30 a.m. – 6:30 p.m.; Tue: Closed

New ticket prices from 3 October 2025, further information under Admission & Tickets

Reduced admission applies during the themed weekend from 3 to 5 October.

Photo credit: Stiftung Humboldt Forum at the Berliner Schloss, Photo: Getty Images, The Image Bank, Karan Kapoor