Category Archives: Publication

Kleine Humboldt Galerie – Like a Vernissage – but with a Book

Digital launch of the book-as-exhibition zwischen körpern

On 19.03.2021 the Kleine Humboldt Galerie celebrates the launch and vernissage of zwischen körpern, the book-as-exhibition!

Via a livestream, visitors can immerse themselves in video works from 2 pm onwards, take part in guided tours by curators and graphic designers of the exhibition and publication, join a conversation with the Berliner K. Verlag, and much more.

Program
15.00 h / Q&A with the K. publishing house
16.00 h / Guided tours by curators
16.45 h / Video stream of Carolina Caycedo
17.15 h / Video stream by Marco Buetikofer and Lotte Meret
17.30 h / Video stream by Kirstin Burckhardt
18.00 h / Video stream of Theresa Schubert
18.30 h / Cocktails 🍸
19.00 h / Pub Quiz
20.30 h / Sin Maldita A/V Performance

Exhibition zwischen körpern
An exhibition in the format of a book – from March 19, 2021 to April 30, 2021.

zwischen körpern negotiates the physical body as the starting and ending point into which society inscribes itself. Various mechanisms of control are examined, which affect diverse bodies in very different ways. The focus is on the impact and experienceability of control on and of the body: bodies are consciously or unconsciously modeled and also controlled by historical and social circumstances.
The body is understood as a venue for political struggles, which is why emancipation strategies and self-empowerment processes take on a central role. To what extent are the carnal and new technologies interwoven and what role do intimacy and social constraints play? Eleven contemporary positions investigate these complex dynamics by means of sculpture, spatial installation, video, photography, and performance. As with the selection of artworks, corporeality is reflected and critically questioned from a decolonial and intersectional-feminist perspective.

Publication zwischen körpern / among bodies

How our bodies see, are seen, and behave with and among other bodies, is inevitably political. To move the body is also always to insist on meaning — just as meaning is always in movement.

The book-as-exhibition presents ten contemporary art positions that each explore the complex and intimate dynamics that expose our bodies to new technologies, social pressures, and desires for liberation. As curatorial experiment within the micro-architecture of the book, the project initiates singular relays from sculpture, installation, video, photography, and performance to paper that enable parallel engagements with decolonial and intersectional feminist perspectives.

Book concept by Kleine Humboldt Galerie
Curatorial-editorial team: Franziska Dommers, Lotta Feibicke, Nikolas Geier, Eileen Kesseler, Patricia Kühn, Anna Latzko, Monique Machicao y Priemer Ferrufino, Sarah Marcinkowski, Katharina Ripea, Evelyn Sutter, Nicole Wittmann, and Yuanwen Zhong.
With artworks by Kirstin Burckhardt, Marco Buetikofer, Carolina Caycedo, Stine Deja, Lotte Meret Effinger, Ester Fleckner, Yngve Holen, Luisa Krautien, Michael Liani, Theresa Schubert, and Zuzana Svatik; additional texts by Michaela Dudley, Felix Sattler, and others; and a glossary of terms by the curators.
Design: K. Verlag with Ginny Rose Davis and Megan Ricca

German & English
Wendebuch / turning book
196 pages
20 x 29.7 cm
Black/white with purple Pantone spot color & full-color image section
Softcover, Swiss binding
ISBN 978-3-947858-22-4
https://k-verlag.org/books/zwischen-korpern-among-bodies

KHG-K-Verlag-Zwischen-Koerpern-Book-Cover

New publication in the series “Bildwelten des Wissens”

Bildwelten des Wissens – Volume 16.
Bildzensur. Löschung technischer Bilder.

Edited by Katja Müller-Helle.

Technical image censorship is omnipresent and invisible at the same time. Content moderation in social media and automatic deletions by algorithms create a new kind of association of human and non-human actors that trigger shifts in image ethics and jurisprudence in the field of visibility. Whereas traditional institutions of censorship regulated the sphere of action of dangerous images through legal and religious norms, today it is automated mechanisms controlled by international corporations that govern socio-technical scripts of image deletion. In the public sphere of technical image worlds, visibility markers of deletion – such as censor bars or pixelation – are being replaced by upload filters, content moderators or deepfakes. In this experimental phase of digital modernity, it is once again being renegotiated in technical, social, juridical and image-theoretical terms which images circulate in the data stream, disappear from view or never reach the light of day.

ePub – Open Access – Bildzensur. Löschung technischer Bilder (PDF)
© 2020 Katja Müller-Helle, Walter de Gruyter GmbH, Berlin/Munich/Boston 2020
This work is licensed under the Creative Commons Attribution 4.0 International Licence.
eISBN: 9783110715293
https://doi.org/10.1515/9783110715293-002

New publication: Companion volume to the exhibition by Oliver Thie

On the occasion of the exhibition Oliver Thie: Die Wahrheit über den Ursprung der Welt a companion volume has been published.

For over two hundred years, a collection of inconspicuous gray basalt boulders has been stored in Berlin’s Museum für Naturkunde. They are evidence of a heated controversy in the 18th century about the origin of the earth, the so-called basalt controversy. Oliver Thie has artistically researched them in an interdisciplinary dialogue with scientists from the Humboldt University and the Museum of Natural History. By combining recording techniques of historical measuring instruments with shadow projections, Oliver Thie developed his very own pictorial method for fixing shadow images, a kind of “drawing excavation” in which the shadows of the stones are worked out of paper covered with soot. The contributions by Claudia Blümle, Angela Strauß, and Felix Sattler collected in this volume contextualize Oliver Thie’s work in terms of art history, the history of science, and museum studies. The illustrated book is published on the occasion of the exhibition Oliver Thie: The Truth about the Origin of the World at the Tieranatomisches Theater, October 1 – December 30, 2020.

Sattler, Felix and Oliver Thie (eds.): Oliver Thie: Die Wahrheit über den Ursprung der Welt
With contributions by Claudia Blüme, Angela Strauß and Felix Sattler
Publication date: October 1, 2020.
Berlin: Humboldt-Universität zu Berlin
44 pages, in full colour, Cover silkscreen printing with lampblack on glassine
1st edition 800 copies

Order your personal free copy: welcome@tieranatomisches-theater.de

Sattler_Thie_2020_DieWahrheit_Cover