Category Archives: Opening

Exhibition opening, October 2, 2025: “Family Matters” at the Humboldt Forum

Father, mother, child? Surprising perspectives on the traditional family model in the past and present.

Family: (Nearly) everyone has a family, and yet every family is different! But what’s the stitching that keeps families together? And who’s really responsible for spinning it? In a year-long programme, the Humboldt Forum is exploring the stuff that family ties are made of. Are they full of holes or tightly woven; do they hang on a thread, or are they patchwork or perhaps macramé?

It is all about networks of relationships – from artistic, historical, scientific, and international perspectives, and in dialogue with the people of Berlin.

Explore what and who family and family relations can encompass, and the broad variety of ways in which living together is experienced. Everyone involved with the project at the Humboldt Forum is collectively looking at the theme of family relations in the present, past, and future, in a variety of formats including exhibitions, performances, discussions, workshops, guided tours, and interventions throughout the museum.

Exhibitions and Interventions

A special feature of this exhibition is that it takes in all the galleries and collections at the Humboldt Forum. The theme is introduced by ten hubs – some of which are interactive – in the Family Matters area on the ground floor, ranging from personal family constellations to a VR community around the table and individual stories about pet names, taking us from global family history, conflicts, and compromises to very personal watershed moments. Here you can question and expand your own ideas about and understanding of what family is!

More than forty selected objects from the Ethnologisches Museum (Ethnological Museum) and the Museum für Asiatische Kunst (Asian Art Museum), from Berlin’s historical royal palace, the Humboldt Labor, and BERLIN GLOBAL, along with Museum Knoblauchhaus, will become a part of this year-long programme, showing how power relations intervene in family biographies. And also how personal family narratives can originate larger stories of power or even religions.

Temporary exhibitions look at the preservation of endangered languages from all over the world and the transgenerational dissemination of knowledge. We also present contemporary positions by international artists, exploring the family realities of queer and migrant experience.

Events

Numerous events for adults and children offer new perspectives on the theme of family. This year’s Transkontinentale festival will bring family stories from Africa, South America, and Asia to Berlin, as well as the European premiere of the Namibian German music theatre People of Song. Things are going to get particularly lively at the end of October, when the Dia de Muertos celebration of family will be held for the second time at the Humboldt Forum. This is something to look forward to, but please note that there is also a full events programme on the opening days of the exhibition, with our first themed days in October.

Care or Chaos? Themed Days, 3–5 October

On three consecutive themed days immediately after the exhibition opens, the Humboldt Forum will focus on care, nursing, and family relations. Small gestures, each with a big effect – artistic interventions, performances, readings, and conversations will facilitate a rethinking of family: in the workshop “In the Dreamhouse,” in dance interventions in the permanent exhibition, in a kitchen buffet with medicinal flowers, and with African Street Games for the whole family. The days will feature author and musician Christiane Rösinger, the Resident Music Collective, feminist author Sophie Lewis, and a showing of the film In Prinzip Familie by director Daniel Abma, and much more.

In the museum’s workshops there will be hands-on drop-ins where participants can test out and make their own creations, while the Picture Book Cinema will present fascinating stories on the big screen, read by well-known personalities with musical accompaniment.

Two further themed days are planned for 2026: “Family Secrets” and “Together Against Resistance: Alternative Forms of Living with Each Other.”

The exhibition opens on October 2nd at 6 p.m. – free admission.

Opening program: 

6pm

Welcome:

Hartmut Dorgerloh, General Director of the Humboldt Forum
Julia von Blumenthal, President of Humboldt-Universität zu Berlin
Sophie Plagemann, Artistic Director and Board Member of the Stadtmuseum Berlin Foundation
Lars-Christian Koch, Director of the Ethnological Museum and the Museum of Asian Art, National Museums in Berlin

Greeting:

Konrad Schmidt-Werthern, Head of Office at the Federal Government Commissioner for Culture and the Media

Introductory remarks:

Laura Goldenbaum, Solvej Helweg-Ovesen, Grit Keller, Alia Rayyan, Maria Sobotka, and others

7pm
Short guided tours of the exhibition interventions

7:30pm
Discussion rounds in the foyer

8:30pm
Music set by the Resident Music Collective from their new programme Sonic Affinities

9pm
DJ set: Stella Zekri

The program and the exhibition have been jointly curated by all the stakeholders involved at the Humboldt Forum: Stiftung Humboldt Forum im Berliner Schloss (SHF), Ethnologisches Museum and Museum für Asiatische Kunst (Stiftung Preußischer Kulturbesitz / Staatliche Museen zu Berlin), Stiftung Stadtmuseum Berlin, and Humboldt-Universität zu Berlin. Overall curatorial directorship: Dr. Laura Goldenbaum (SHF).

Location: All floors of the Humboldt Forum and at the Stadtmuseum/Museum Knoblauchhaus 

Duration: Fri, October 3, 2025 – Sun, July 12, 2026

Opening hours: Mon, Wed, Thu, Fri, Sat, Sun: 10:30 a.m. – 6:30 p.m.; Tue: Closed

New ticket prices from 3 October 2025, further information under Admission & Tickets

Reduced admission applies during the themed weekend from 3 to 5 October.

Photo credit: Stiftung Humboldt Forum at the Berliner Schloss, Photo: Getty Images, The Image Bank, Karan Kapoor

IN BETWEEN I FELT IT ALL – Group Show Kleine Humboldt Galerie

06.07.2025 -13.07.2025 ZK/U (Zentrum für Kunst und Urbanistik)

Kumo Taro, Jelena Fužinato, Lisa Hoffmann, Jamila Barakat, Brennan Wojtyła, Gala Lillian, Érin Périès, Nogan Camille Chevreau Halima Aziz, Katie Kelly, Hybrid Project Space

an exhibition by Kleine Humboldt Galerie

The student-run and volunteer-based Kleine Humboldt Galerie presents a group exhibition featuring eight artistic positions, accompanied by a range of mediation formats.

In between I felt it all explores spaces and conditions of the “in between” – transitions that are difficult to grasp. As members of society, we move through private, public, and shared spaces every day. But where do those places begin that feel in between? On emotional and identity levels, too, we navigate fields of tension that create states of ambiguity. The “in between” is paradoxical and ambivalent – which is precisely why it calls for artistic engagement.

The exhibited works approach this theme in diverse, interconnected ways: as architectural fragments, as queer and/or diasporic identities, or as subtle shifts between visibility and invisibility. Through installation, photography, painting, and performance, the artists open up urban in-between spaces, question social norms, and offer personal insights.

Mediation formats build bridges between artworks and audiences. They invite participation, contextualization, and critical engagement. Questions of identity and political belonging are not just presented, but actively negotiated – creating space for reflection, new perspectives, and critical inquiry.

Vernissage: 5. July 2025, 6pm

When: 6.-13. July 2025

Where: ZK/U (Zentrum für Kunst und Urbanistik), Siemensstraße 27, 10551 Berlin

Program

July 5th: 6pm – 12am: Vernissage

July 6th: 6pm – 8pm: going through, or armstand with overback – part I 
A performance by Nogan Camille Chevreau *

July 10th: 8pm: out of frame – Between Film and Conversation x Unscharfer Filmtreff

July 12th: 12pm – 9pm: Festival Day

  • 12 – 1pm & 1 – 2pm: moving in between – Dance and movement workshop with Katie Kelly *

  • 1 – 3pm: finding words in between – Collaborative writing on queer perspectives

  • 3 – 6pm: *Halima’s Tatreez Workshop

  • 7pm: Artist Talk with Gala Lillian and Jamila Barakat

July 13th: 2pm – 9pm:

  • 2pm: Curator’s Tour

  • 4pm: spilling tea – A coffee gathering on the exhibition *

  • 7pm: going through, or armstand with overback – part II
    A performance piece by Nogan Camille Chevreau *

    Registration required via email: kleinehumboldtgalerie@hu-berlin.de 

IN BETWEEN I FELT IT ALL - Poster
IN BETWEEN I FELT IT ALL

Exhibition opening: OLIVER THIE. Die Wahrheit über den Ursprung der Welt

Tieranatomisches Theater der Humboldt-Universität zu Berlin

Campus Nord, Philippstraße 13, Haus 3
Opening 01.10.2020, 5 p.m. to 10 p.m.

Special exhibition

October 2nd, 2020 – December 30st, 2020 (every Tuesday till Sat., 2 to 6 p.m.)

The Berlin artist Oliver Thie preserves the shadows of rocks and reveals their long history.
For over two hundred years, the Museum für Naturkunde in Berlin stores a collection of unimposing gray basalt specimens. They are evidence of a heated controversy about the origins of the earth known as the basalt dispute, which took place in the 18th century. Oliver Thie has explored these objects in an interdisciplinary dialogue with scientists from the Humboldt-Universität and the Museum für Naturkunde.

By combining the recording techniques of historical instruments with shadow projections, Oliver Thie developed his very own artistic method for capturing shadow images. In a kind of “a drawing excavation,” as Thie puts it, the shadows of the stones are worked out of paper covered with soot. Like black skins, the preserved silhouettes now float in front of the wall and can be viewed in full light. An individuality emerges from the shadows that would otherwise remain hidden in the unimposing stones.

Accompanying the exhibition, two lectures by Claudia Blümle (Oct 14) and Angela Strauß (t.b.a.) will take place in the historical auditorium of the Tieranatomisches Theater – and streamed via Zoom. Information and registration at
https://tieranatomisches-theater.de/oliver-thie-oeffnungszeiten-und-termine/

Curated by Felix Sattler

Exhibition opening: Trading and treating animals

Tieranatomisches Theater der Humboldt-Universität zu Berlin

Campus Nord, Philippstraße 13, Haus 3
Opening 06.02.2020, 6 p.m. to 10 p.m.

Special exhibition

February 7th, 2019 – December 30st, 2020 (every Tuesday till Sat., 2 to 6 p.m.)

30 years after the fall of the Wall, interest in a differentiated view of GDR science is growing. Research projects were guided by political or geo-strategic interests, but they also provided important insights and marked the beginning of cooperation that continues to this day. The exhibition Trading and treating animals focuses on the exchange of scientific knowledge, technology transfer and trade relations between the Mongolian People’s Republic (MPR) and the German Democratic Republic (GDR) between the late 1960s and 1980s. Bilateral economic agreements included the veterinary (parasitological) treatment of sheep diseases on the one hand and the establishment of the leather and textile processing industry in Mongolia on the other. The GDR was Mongolia’s most important trading partner in Europe and purchased leather and wool products mainly from MPR. The close cooperation between German scientists and local veterinarians in applied research on livestock diseases has established itself institutionally. Cooperation between the Freie Universität Berlin (FU) and the Mongolian University of Life Sciences, the Mongolian State University of Agriculture and the Institute of Veterinary Medicine in Ulaanbaatar still exists today.

The exhibition covers the range from veterinary medicine to technical, industrial and economic history. Exhibits from the fields of veterinary medicine, biology and veterinary technology are shown together with Mongolian industrial products such as carpets and clothing from the 1970s and 1980s. The display refers to the history of close scientific and economic cooperation.

The occasion for the exhibition is the 90th birthday of Prof. Dr. Theodor Hiepe, a scientist who played a major role in the research and development of treatment methods for sheep diseases. In 1960 he was appointed professor of the Department of Parasitology and Director of the Institute of Parasitology and Vet. med. Zoology of the Veterinary Faculty of the Humboldt-Universität zu Berlin (HU). From 1993 until his retirement in 1995 he was Professor of Parasitology at the Freie Universität Berlin. Prof. Dr. Hiepe was the initiator, patron and head of the ectoparasite control program. Under his leadership, the ectoparasite control research laboratory was established in Mongolia in 1970.

The exhibition was curated by Katharina Otto and Felix Sattler. Scientific advisory board: Prof. Dr. Theodor Hiepe (Prof. em., HU), Prof. Dr. med. vet. Peter-Henning Clausen (FU), Prof. Dr. Kai Matuschewski (HU), Dr. Adnan Al Halbouni (FU). With generous support of the Embassy of Mongolia in the Federal Republic of Germany.

Opening of the Sammlungsschaufenster of the Humboldt-Universität zu Berlin

Tieranatomisches Theater der Humboldt-Universität zu Berlin
Campus Nord, Philippstraße 13, Haus 3
21.10.2019, 7 p.m. to 10 p.m.

MESHWORK OF THINGS 

The Sammlungsschaufenster of the Humboldt-Universität zu Berlin

New permanent exhibition at the Tieranatomisches Theater

With the opening of its collections on 21 October 2019, Humboldt-Universität zu Berlin offers a new interactive visitor experience. The Meshwork of Things – Sammlungsschaufenster at the Tieranatomisches Theater invites visitors to explore the diversity of things, unknown contexts and critical positions in collection practice. An app offers visitors an individualized experience in which things are activated in always new constellations.
Starting from the thematic fields of “use”, “origin”, “diversity” and “locality”, further links can be activated. By means of the app, visitors of all ages can playfully walk through a ‘meshwork of things’, inform themselves specifically about individual objects with texts, images and films, or trace contexts in virtual tours. What does the photography of the Marienkirche in Prenzlau have in common with a rock sample of ice age debris? Is there a common tool for understanding a crystallographic model and clay fragments from a Cushitic sacred place in Sudan? And what does a lava stone have to do with jihad?
The virtual tours on collection practices (“practice”, “comparative seeing”), contemporary historical classifications (“collected in the GDR”), gender-specific questions (“collecting is a women’s issue”) and object genres (“models”) form bridges between scientific disciplines that also include new perspectives on highly topical social issues such as migration.

The historical library cupboards from 1790 form a fascinating frame for an exhibition design that manages without visible texts and trains the eye for objects. The unique architecture of this “Cabinet of Wonder of the 21st Century” contains lighting that can be individually controlled for each exhibit, making the tour of the exhibition through the app visible in real time.

To launch the exhibition, the Sammlungsschaufenster presents 80 objects out of 24 collections of the HU and partner institutions. Among others, the objects come from the Historisches Kabinet of the Department of Psychology, the Sammlung am Centrum für Anatomie, the Sudan Archaeological Collection, the Art Treasury, the Sound Archives and the Medienarchäologischer Fundus. Familiar objects and famous persons appear as well as lesser-known and surprising things. 
Heiner Müller’s research library contains not only great literature, but also his personal copy of Raoul Whitfield’s crime novel Green Ice. It is an informative document, as Heiner Müller noted his thoughts on reading while travelling in it. 
In university collections, it is not only the preservation of things that is important, but above all their usage. From the Medienarchäologischer Fundes, the Sammlungsschaufenster shows a “Commodore 64”, the first powerful and affordable home computer that came onto the market in 1982 and now enjoys cult status. Instead of being preserved as a whole, it has been dismantled into its components. Understanding by deconstruction is a central method in teaching that can sometimes be irretrievable – to explore in the tour “Loss is part of the business”
The theme of “migration” can be found in many collections at very different scales – geological, regional or global. Ice Age glaciers have transported rocks from Scandinavia to Brandenburg. Brandenburg Children’s games document regional migration and urbanization in the early 20th century. Germany’s first mosque was built during the First World War in a prisoner-of-war camp in Wünsdorf.

Conceived as a dynamic permanent exhibition, the objects and focal themes are exchanged in intervals of six to twenty-four months, so that the Meshwork of Things always produces new topics and links and the objects remain usable in the collections for research and teaching.

Curated by Felix Sattler, Sarah Becker and Jessica Korp.
Idea and original concept: Felix Sattler and Dr. Jochen Hennig.