Category Archives: Workshop

BUA, Knowledge Exchange, News, Third Mission, Workshop

Researching with Society: International Perspectives

HU Office for Knowledge Exchange with Society at Zentrum für Kulturtechnik | TD-Lab – Laboratory for Transdisciplinary Research of the Berlin University Alliance

Time:    Wednesday, 20. November 2024, 1:00 pm to 5:30 pm
Place:    Humboldt-Universität zu Berlin, Campus Nord, Philippstraße 13, Haus 3, 10115 Berlin
(Keynote/Workshops: Entrance Tieranatomisches Theater;
Reception: Entrance Hermann von Helmholtz-Zentrum für Kulturtechnik)

This is an in-person event that will take place in English. Please note that the workshops are currently fully booked and that your name will be added to a waiting list. Please register your interest here.

Researching with Society: International Perspectives

We are pleased to announce the event “Researching with Society: International Perspectives” on November 20th 2024, a get-together at Humboldt-Universität zu Berlin on participatory research and public engagement offering learning and networking opportunities for Berlin researchers. The day will feature a keynote speech and workshops by international experts from the University of Oxford followed by a reception allowing time and space for networking and discussions.
Science and universities have a central role and responsibility in dealing with major societal challenges of our time. Knowledge exchange between academia and society is thus increasingly becoming an important part of research and knowledge production. The event welcomes all researchers, members of BUA institutions and interested science-related organizations to explore approaches and impact of participatory research and public engagement, discuss civic responsibilities of universities and network with partners from the University of Oxford. Please join us for the following program:

12:40 pm   Doors open at Tieranatomisches Theater

1:00-1:45 pm   Keynote Speech: Enhancing Research Through Public Engagement – Strengthening Participatory Approaches in Academia
by Dr. Victoria McGuinness, Head of Public Engagement, Head of The Oxford Research Centre in the Humanities (TORCH), University of Oxford
preceded by a welcome by Prof. Dr. Julia von Blumenthal, president of HU Berlin

This talk will explore the vital role of universities in addressing today’s societal challenges and their civic responsibilities. It will outline the opportunities for collaboration and co-creation and the added value of participatory approaches and public engagement in research, including their impact and outcomes. The speaker will share examples of how universities can support participatory research methods and strengthen these essential practices in academia

1:45-3:45 pm    Parallel Workshops: please note that the workshops are fully booked at present and that your name will be added to a waiting list (register your interest here)

Workshop 1: What is Public Engagement with Research in the Humanities?
Dr. Victoria McGuinness, Head of Public Engagement, Head of TORCH, University of Oxford
This workshop will delve into the feasibility of public engagement and participation across various disciplines in the Humanities. We will explore the motivations for researchers to engage in participatory projects with non-academic audiences and organisations, and identify the support needed to initiate and lead these initiatives. Participants will discuss the challenges faced in implementing participatory research approaches and public engagement, sharing methods and solutions to overcome obstacles. Join us to enrich your research through meaningful and equitable collaboration.

Workshop 2: Developing Compelling Impact Stories
Pavel Ovseiko, DPhil MSc PGDip, Senior Research Fellow in Health Policy and Management, John Radcliffe Hospital, University of Oxford
This interactive workshop will introduce you to the UK’s best practice in defining, capturing, communicating, and incentivising research with impact on society, culture, and the economy. We will look at the fundamentals of a narrative impact case study, examine a mixture of real-world case studies, and critically discuss comparative advantages and disadvantages of different approaches to measuring and rewarding impactful research. You will walk away with real insights into what it takes to develop a narrative impact case study; which types of indicators you can use to demonstrate your impact; and how to pull different strands of evidence into compelling impact stories.

4:00-5:30 pm  Reception and Networking (snacks and drinks provided)
With Dr. Victoria McGuinness (TORCH, University of Oxford), Pavel Ovseiko (John Radcliffe Hospital, University of Oxford), OPEN HUMBOLDT Advisory Board, HU Office for Knowledge Exchange with Society, BUA TD-Lab

Registration: Please register for the event and select a workshop here (waiting list)
Contact: wissensaustausch.hzk@hu-berlin.de

Photo: Humboldt-Universität zu Berlin

Discussion, Event, Exhibition, Workshop

Queer Sonic Fingerprint – Transdisciplinary Research – Isabel Bredenbröker and Adam Pultz

How do bodies sound? And how can a group of cultural belongings in an ethnological museum collection resonate in unexpected queer kin relations? In their interactive multichannel sound installation Queer Sonic Fingerprint, sound artist Adam Pultz and anthropologist Isabel Bredenbröker (Hermann von Helmholtz Zentrum für Kulturtechnik) speculatively imagines non-normative relations around cultural belongings in ethnological museums and beyond. The installation amplifies the collection‘s materiality through sonic fingerprints—that is—the reflections of a body’s acoustic characteristics. In a transdisciplinary encounter with sound processing and evolutionary computing, dynamically changing fingerprints bring selected parts of museum collections to life in a multichannel sonic ecology.

Queerness contains a tension, something which gender and sexuality studies scholar Susan Talburt identifies as a fundamentally productive quality. Cultural belongings in ethnographic collections are things deeply affected by the colonial encounter and its political aftermath. They, too, are caught in a tense state, as current debates about ownership, their history, their representative functions, and proper place come to show. Voices from indigenous communities and scholars have reframed so-called ethnographic “objects” in museum collections as person-like entities. The installation includes those relations that are currently being claimed with increasing insistence, alongside relations between collection items.

The playback of the sonic fingerprints will form part of a multichannel sound installation also involving field recordings and spoken narrative. Here, kinship and relations between objects become sonic relations, contributing a different register to what is traditionally a visual experience. Museum displays and collections are governed by strict rules: most things may not be touched and many things remain inaccessible in storage. In response to such restrictions, the sonic domain can provide access through a different sensory modality. Here, imagining a sonic image of these bodies offers a sensitive way of not looking or touching, not representing or claiming ownership.

Throughout the installation the sonic fingerprints will merge, recombine, and create new generations of virtual fingerprints with their own acoustic properties, evading museal categories and representational claims, just like queer identities and ways of kinning evade normative ideas of gender, relations, and sexuality. Through evolutionary computing and audience interaction, Queer Sonic Fingerprint highlights new object-relations that transcend the logic of the museum as a place of clear-cut display, education and safekeeping. A multisensory and interactive format challenges such established forms of museal practice. Through the speculative sonic-material futures that emerge, non-normative kinship and queer narratives work toward a critique of the ethnographic collection’s colonial roots.

Venue
Art Laboratory Berlin
Prinzenallee 34, 13359 Berlin

Dates and opening hours
Opening: 19 October 2024, 8 pm
Running time: 20 October – 1 December 2024
Fri – Sun, 2 – 6 pm

ALB Team
Tuçe Erel, Christian de Lutz, Regine Rapp, Alice Cannavà, Camila Flores-Fernández

Photo documentation
Isabel Bredenbröker and Adam Pultz Melbye

Supported by
Deutsche Forschungsgemeinschaft
Dansk Komponistforening/ KODA Kultur
Sound Art Lab
The Speculative Sound Synthesis Project

Queer_Sonic_Fingerprint_Transdisciplinary_Research_Poster
Exhibition poster. Copyright: Alice Cannava
Knowledge Exchange, News, Third Mission, Workshop

Training Program in Public Engagement for Researchers

The team of HU ‘Knowledge Exchange with Society‘ at Zentrum für Kulturtechnik (HZK) invites researchers to participate in a training program for Public Engagement, delivered by the Berlin School of Public Engagement and Open Science. The workshop series is an effective and flexible training in public engagement and knowledge exchange between science and society. It offers an active network and a certificate in the field of participation and engagement.

  • What: Training program (Ger/Eng) with 3 thematic modules and optional units: 1. Foundations – Engagement in Practice, 2. Evaluation Practice, 3. Creative Engagement – Skills and Formats
  • Who: the training is aimed at researchers from all disciplines and at all stages of their careers who are interested in cooperating with non-academic and community partners
  • When: from October 2024 to June 2025, with an average of one workshop per month; you can choose and book the individual appointments on your own
  • Where: live online sessions on Zoom

Please see here for detailed information about the training

If you are interested in participating or have questions, please contact the HU-team Knowledge Exchange with Society at wissensaustausch.hzk@hu-berlin.de until September 15.

 

Conference, Event, Workshop

Call for Papers: “Music, Archives and Politics in East and West Berlin since 1963: Cosmopolitan, International, Global”

Dear colleagues,

We invite you to submit paper proposals for our conference “Music, Archives and Politics in East and West Berlin since 1963: Cosmopolitan, International, Global,” which will take place in Berlin 3-5 July 2024. The call for papers closes on March 4, 2024. To submit an abstract, please email us your proposal of up to 250 words at eastwest2024@web.de.

We are also offering a workshop program on July 5 in relation to the conference. The Ph.D. and master students can register for a specific workshop until February 17, 2024 at eastwest2024@web.de. All conference participants are welcome to join any one of the workshops.

The conference will take place at the Humboldt Forum, Berlin; workshops will visit other institutions in Berlin and Potsdam. In addition to the workshop track, the conference will also include a concert and several public interviews with eyewitnesses (Zeitzeugen). The conference sessions and workshops will take place either in German or in English.

Call for Papers: “Music, Archives and Politics in East and West Berlin since 1963: Cosmopolitan, International, Global” (PDF)

News, Workshop

Anthropologies of Technique / Techniques of Anthropology: Final student workshops

Ethnographers have to evolve their methods while investigating other people’s artful practices. How to make sense of other ways of making?

Contemporary multimodal ethnographic approaches are deeply rooted in fieldwork interactions with other knowing and making communities. Describing and theorizing making practices contributes to triggering new interests in material cultures. It also branches out to further studies on embodiment and on the techniques of the self. Telling better stories of making means sharpening our techniques for storytelling, experimenting with new media, and probing other ways of entering into collaboration with epistemic partners.

During the summer semester of 2023, we engaged in four collective fieldworks around technical activities: pottery, boomerang making, 3D sketching, and Iyengar yoga. We experimented with various ways to share the ethnographic experiences of “making” practices into text, drawings, workshops, and virtual installations. Students have also actively explored one technique of their choice during the course and documented their practice with a fieldwork notebook, using various techniques such as writing, sketching, 360° captures, etc.

Together on 14.07.2023, we will share our findings with the public in workshop formats, during which students will share their insights, their journals, and their newly acquired practices.

This seminar was taught by Prof. Sharon Macdonald and Dr. Maxime Le Calvé at the Helmholz-Zentrum für Kulturtechnik, part of the curriculum of the Master programme “Ethnography” at the Institute für Europeäische Ethnographie (Humboldt-Universität zu Berlin).

AnthroTech2023
Event, Lecture, Workshop

WARP – Werkstatt für kulturelle Ausdrucksweisen und Recherche in der Praxis

WARP – Werkstatt für kulturelle Ausdrucksweisen und Recherche in der Praxis – addresses the relations and linkages of knowledge in research on material culture, curation, technology, and art through lectures and workshops.

When: Wednesdays 4.00 – 5.30 p.m. (CET)
Where: Hermann von Helmholtz-Zentrum für Kulturtechnik, Campus North – House 3, Philippstr. 13, 10115 Berlin and digital on
Zoom: https://hu-berlin.zoom.us/j/64719208170

WARP

SoSe 2023 Programme

26. April: 2 p.m. TAT DAOULA I sheen Exhibition tour with one of the co-curators, Laurence Douny (HU Berlin), and a talk at 4 p.m. by Patricia Alvarez Astacio (Brandeis University) – ‘Weaving Alpaca Wool, Ethics and Indigeneity in Ethical Fashions’ (in person only)

03. May: Yoonha Kim (HU Berlin) – ‘Wearing Sallim’

10. May: Lebogang Mokwena (University of the Western Cape) – ‘Material Identities: Shweshwe, Empire, and Africanity after Apartheid’ (online only)

17. May: Eliza Proszczuk (Academy of Fine Arts Warsaw) – ‘Girls from the Castle’

24. May: Annapurna Mamidipudi (TU Berlin and MPIWG Berlin) – ‘Talking Craft, Doing Science: Epistemologies of Color in India’

31. May: Gabriel Schimmeroth (MARKK Hamburg) – ‘Zwischenraum – A Space Between – Retrospect, Pandemic, Prospect (2019-2023) – Curating Repositioning and Rethinking Space at the MARKK’

07. June: Emma Tarlo (Goldsmiths) – ‚Hairy Entanglements: Writing, Exhibiting, and Crafting with Human Hair’

14. June: Lucy Norris (Weißensee Kunsthochschule Berlin) – ‘Regenerative Fibre Cultures: Fashioning New Threads of Connection’

21. June: Zuzanna Hertzberg (artist, Poland) – ‘Jewish Women Fighters – Herstories of Resistance as Message and Strategy for Today’

28. June: Tiara Roxanne (artist, postdoctoral fellow, Data and Society, NYC) – ‘The Grammar of Gathering’

05. July: Catalina Ortiz (UCL) – ‘Living Archive: Weaving Gender (Hi)Stories of Urban Reclamation in Moravia, Medellin’

12. July: Adela Taleb (HU Berlin) – ‘Weaving Worlds: The Power of Tales. Decolonial Potentials of Storytelling’ Kwame Aidoo (artist, Ghana) – ‘Intersection of Weaving and Storytelling: A Marginalized Community Pushes the Margins with Kpaluhi’

WARP

WARP – Werkstatt für kulturelle Ausdrucksweisen und Recherche in der Praxis is organized and coordinated by Magda Buchczyk und Dominik Biewer.

More Information
Prof. Dr. Magdalena Buchczyk (she/her)
Assistant Professor of Social Anthropology with a focus on cultural expressions
Institute for European Ethnology
Centre for Anthropological Research on Museums and Heritage (CARMAH)
Humboldt-Universität zu Berlin
magdalena.buchczyk@hu-berlin.de

Flyer
WARP – Flyer (PDF)